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This entertaining and informative book traces the history of butterfly collection in Britain from the 17th century, when the study of natural history had its beginnings. Laced with anecdotes and quotations, the beautifully illustrated volume describes the equipment used and gives brief biographies of 101 deceased lepidopterists. 58 illustrations, 42 in color.
Although the collecting of butterflies is today an emotive subject, it is impossible to separate a history of British butterflies from a history of their collectors, without whose activities our knowledge of the identification, occurrence, distribution, and variation of British butterflies would be much the poorer. Liberally laced with contemporary quotations, this book brings to life the past three hundred years of butterfly study, with details of early societies, collecting equipment, biographies of 101 deceased lepidopterists, with portraits where available, as well as the chequered history in Britain of some 35 species of butterfly. The colour plates include some of the finest butterfly illustrations ever.
Is a life cycle that depends on eating or being eaten compatible with a creation in which 'the heavens are telling the glory of God; and the firmament proclaims His handiwork'? Are animal death and extinction manifestations of a good God's majesty and power? When creating the world, did God use animal death and extinction as a means to realize his intentions? This study challenges the view that the emergence and acceptance of the theory of evolution brought a break in thinking about animal suffering in a good creation. Even before Darwin, people thought about animal suffering, about how God's goodness and good creation related to this, and about whether animals were already subject to death in paradise. Historically, Charles Darwin's theory of evolution did not form a watershed in the debate about animal suffering, nor did concerns about animal suffering only emerge with the Darwinian theory of evolution.