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The Forward Book of Poetry 2020
Contains poems from The Forward Prize for Best Collection: Fiona Benson - Vertigo & Ghost, Niall Campbell - Noctuary, Ilya Kaminsky - Deaf Republic, Vidyan Ravinthiran - The Million-petalled Flower of Being Here, Helen Tookey - City of Departures; The Felix Dennis Prize for Best First Collection: Raymond Antrobus - The Perseverance, Jay Bernard - Surge, David Cain - Truth Street, Isabel Galleymore - Significant Other, Stephen Sexton - If All the World and Love Were Young; The Forward Prize for Best Single Poem: Liz Berry - 'Highbury Park', Mary Jean Chan - 'The Window', Jonathan Edwards - 'Bridge', Parwana Fayyaz - 'Forty Names', Holly Pester - 'Comic Timing'; And Highly Commended Poems 2019.
Selected Poetry and Prose
The British poet Charlotte Mew - whose 150th anniversary falls in 2019 - was regarded as one of the best poets of her age by fellow writers. She has since been neglected, but her star is beginning to rise again. Two new books on this important writer are being prepared by Faber poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street. Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.
The New Faber Book of Love Poems
'The New Faber Book of Love Poems' presents some of the most emotive and memorable lyric poems produced in the English language from the Renaissance to the present.
Poetry Please: The Seasons
This new anthology of poems, favourites from the nation's longest-running and best-loved request programme for verse, moves with the seasons, following the turning year from John Clare's 'pale splendour of the winter sun' to John Keats's 'Season of mists and mellow fruitfulness', by way of Larkin's 'young-leafed June' and Gerard Manley Hopkins' 'glassy peartree leaves and blooms' when 'Nothing is so beautiful as Spring'. As the year changes, so we change with it. Since time out of mind our daily lives have been shaped and directed by the seasons, and it is here that we find poems about harvest and hardship, growth and new life, the warmth of the life-giving sun, Christmas and the closing of the year. Poetry Please: Seasonal Poems is a vital and generous gathering to treasure.
The Death of King Arthur
The Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory's prose Morte D'Arthur. Like Gawain, the Alliterative Morte Arthure is a unique manuscript (held in the library of Lincoln Cathedral) by an anonymous author, and written in alliterating lines which harked back to Anglo-Saxon poetic composition. Unlike Gawain, whose plot hinges around one moment of jaw-dropping magic, The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain's relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.
Three Poems
Hannah Sullivan's debut collection is a revelation - three poems of startling intensity, ambition and length. Though each poem stands apart, their inventive and looping encounters make for a compelling unity. 'You, Very Young in New York' is a study of romantic possibility and disillusion in a great American city. 'Repeat Until Time' begins with a move to California and unfolds into a philosophical essay on repetition. 'The Sandpit After Rain' explores the birth of a child and the loss of a father with exacting clarity. Readers will experience her work with the same exhilaration as they might the great modernising poems of Eliot and Pound, but with the unique perspective of a brilliant new female voice.
The Faber Book of Love Poems
The poems in this collection include many about being in love, the wonder and longing, the misery of separation, the pain of rejection, while others are in praise of love. They span the centuries and include some examples in French. Apart from the recognized masters to the form, lesser known poets are represented who, by a single experience of love, have been raised to a higher level of exceptional lyricism.
Undying
How can you say goodbye to the love of your life? In Undying Michel Faber honours the memory of his wife, who died after a six-year battle with cancer. Bright, tragic and candid, these poems are an exceptional chronicle of what it means to find the love of your life. And what it is like to have to say goodbye. All I can do, in what remains of my brief time, is mention, to whoever cares to listen, that a woman once existed, who was kind and beautiful and brave, and I will not forget how the world was altered, beyond recognition, when we met.
The Fountain in the Forest
When a brutally murdered man is found hanging in a Covent Garden theatre, Detective Sergeant Rex King becomes obsessed with the case. But as Rex explores the crime scene further, he finds himself confronting his own secret history instead. Moving from Holborn Police Station, to an abandoned village in rural, 1980s France, and the Battle of the Beanfield at Stonehenge, The Fountain in the Forest is both a thrilling crime mystery and a dizzyingly unique novel of unparalleled ambition.
The Faber Book of Contemporary Irish Poetry
Taking the death of Yeats in 1939 as its starting point and ending in the 1980s, The Faber Book of Contemporary Irish Poetry offers unusually generous selections from the work of ten writers - Patrick Kavanagh, Louis MacNeice, Thomas Kinsella, John Montague, Seamus Heaney, Michael Longley, Derek Mahon, Paul Durcan, Tom Paulin and Medbh McGuckian. Edited by Paul Muldoon, himself widely regarded as the leading Irish poet of his generation, this anthology provides a fine introduction to the most consistently impressive Irish poets after Yeats.
