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The logics of digital processes in architecture have begun to structure the way that architects design, the way that builders build, and the way that industry is reorganizing. The process of architectural design has become a complex workflow. At the core of the shift toward more expansive forms of digital production within the design and construction industry is the integration of communication through digital networks. The goal is to develop a continuous, easily accessible and parametrically adaptable body of information that coordinates the process from design through a building’s lifecycle. Organized around the key fields of Designing Design, Designing Assembly and Designing Industry, this book is a reference work on digital technologies as key factors in architectural design, fabrication and workflow organization. It presents essays and case studies from some of the leading voices on the topic.
As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament – and hence pattern as well – was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960s. Complexity research has ultimately shown that even highly complex, dynamic patterns may be based on simple behavioral rules, and that has allowed the notions of pattern and pattern formation to take on new meanings, that are also central for architecture. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture?
is a unique collection of papers illustrating the connections between origami and a wide range of fields. The papers compiled in this two-part set were presented at the 6th International Meeting on Origami Science, Mathematics and Education (10-13 August 2014, Tokyo, Japan). They display the creative melding of origami (or, more broadly, folding) with fields ranging from cell biology to space exploration, from education to kinematics, from abstract mathematical laws to the artistic and aesthetics of sculptural design. This two-part book contains papers accessible to a wide audience, including those interested in art, design, history, and education and researchers interested in the connections between origami and science, technology, engineering, and mathematics. Part 2 focuses on the connections of origami to education and more applied areas of science: engineering, physics, architecture, industrial design, and other artistic fields that go well beyond the usual folded paper.
This book reflects and expands on the current trend in the building industry to understand, simulate and ultimately design buildings by taking into consideration the interlinked elements and forces that act on them. Shifting away from the traditional focus, which was exclusively on building tasks, this approach presents new challenges in all areas of the industry, from material and structural to the urban scale. The book presents contributions including research papers and case studies, providing a comprehensive overview of the field as well as perspectives from related disciplines, such as computer science. The chapter authors were invited speakers at the 7th Symposium “Impact: Design With All Senses”, which took place at the University of the Arts in Berlin in September 2019.
The Advances in Architectural Geometry (AAG) symposia serve as a unique forum where developments in the design, analysis and fabrication of building geometry are presented. With participation of both academics and professionals, each symposium aims to gather and present practical work and theoretical research that responds to contemporary design challenges and expands the opportunities for architectural form. The fifth edition of the AAG symposia was hosted by the National Centre for Competence in Research Digital Fabrication at ETH Zurich, Switzerland, in September 2016. This book contains the proceedings from the AAG2016 conference and offers detailed insight into current and novel geometrical developments in architecture. The 22 diverse, peer-reviewed papers present cutting-edge innovations in the fields of mathematics, computer graphics, software design, structural engineering, and the design and construction of architecture.
The book presents research from Rob|Arch 2018, the fourth international conference on robotic fabrication in architecture, art, and design. In capturing the myriad of scientific advances in robotics fabrication that are currently underway – such as collaborative design tools, computerised materials, adaptive sensing and actuation, advanced construction, on-site and cooperative robotics, machine-learning, human-machine interaction, large-scale fabrication and networked workflows, to name but a few – this compendium reveals how robotic fabrication is becoming a driver of scientific innovation, cross-disciplinary fertilization and creative capacity of an unprecedented kind.
In the era of cybernetics, architects suddenly encountered entirely new ways of operating technical systems: buildings could be calculated using circuit diagrams, creativity and imagination were confronted with the technical intelligence of thinking machines. Architects found themselves in the crosshairs of cybernetics. At stake was nothing less than the continued existence of the architect’s inventive intelligence in a techno-scientific world. Today, we see computing machines, once so heavy, losing weight while gaining power. Computers are fully colonizing the human environment, creating their own digital ecosystems, and giving rise to forms of society and ways of being that cannot even be explained without big data. Available for the first time in English as a new edition.
A new title in the Architectural Design series that explores the potential of computational mathematics in cutting-edge design Mathematics has always been a vital tool in the architect's trade, but the last fifteen years have seen a sharp rise in the power of computers and has led to computational abilities far beyond anything previously available. Modern design software and computing power have changed the traditional role of geometry in architecture and opened up new possibilities enabled by topology, non-Euclidean geometry, and other areas of mathematics. With insight from a top-notch list of contributors, including such notables as Philippe Morel and Fabien Scheurer, Mathematics in Space...
Nexus Network Journal 12,2: Architecture and Mathematics (Volume 12).
Wonder Wood presents this timeless material as it is being used today and how it can be used in the future. It also documents a selection of current international projects and processes, making-ofs, and experiments by 120 internationally renowned designers, architects, and artists, whose creative and innovative approach to the material makes their work compelling. For selected projects, interviews with the designers provide an in-depth look at the creative process and its results. A second section, dedicated to materials and technologies examines innovative developments as well as wood, wood-based materials, finishing technologies, and wooden structure principles. With biographies of the designers represented in the book, an alphabetical index, a bibliography and sources, Wonder Wood will serve the reader as a classic book of reference.