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Alive with the wisdom, artistry, and emotion of more than 250 poets from nearly one hundred countries, this anthology celebrates the multifaceted experience of contemporary manhood. The lives into which these poems invite us reveal the influences of culture, heredity, personal experience, values, beliefs, wishes, desires, loves, and betrayals. Men are notoriously reluctant to open up and discuss these things; and yet when they do--as in these poems--they tell us about their families, lovers, relationships, political and religious beliefs, sexuality, and childhoods. There is much to learn here about who men are and how they see their worlds. Collects close to three hundred poems, in English o...
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics. The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consu...
"Fascinating collection of 12 prose poems, each accompanied by a pen-and-ink illustration by Bernardo Recamier. Morábito presents a set of tools for assembling the world based on John Cage's 'scratch,' describing the tools' distinct yet multiple, at times overlapping and even dangerous, uses. Translations unfortunately more prosodic than poetic"--Handbook of Latin American Studies, v. 58.
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A novel about the intertwining lives of the denizens of a hotel in an unnamed Latin American country in the midst of political turmoil.
A Poetry Book Society Spring 2021 Special Commendation. Edited by Michael Schmidt and John McAuliffe, this is the latest in Carcanet's celebrated introductory anthology series presenting work by two dozen poets writing in English from around the world. Jason Allen-Paisant, Chad Campbell, Conor Cleary, Hal Coase, Jade Cuttle, Jennifer Edgecombe, Charlotte Eichler, Suzannah V. Evans, Parwana Fayyaz, Maryam Hessavi, Holly Hopkins, Rebecca Hurst, Victoria Kennefick, Jenny King, Joseph Minden, Benjamin Nehammer, Stav Poleg, Nell Prince, Padraig Regan, Tristram Fane Saunders, Colm Tóibín, Joe Carrick-Varty, Christine Roseeta Walker, and Isobel Williams.
A collection of nonfiction essays on such topics as culture, myth, history, romance, and sex includes contributions by such authors as Guy Davenport, Annie Dillard, Jamaica Kincaid, and Susan Sontag. In this singular collection, John D'Agata takes a literary tour of lyric essays written by the masters of the craft. Beginning with 1975 and John McPhee's ingenious piece, the Search for Marvin Gardens, D'Agata selects an example of creative nonfiction for each subsequent year. These essays are unrestrained, elusive, explosive, mysterious, a personal lingual playground. They encompass and illuminate culture, myth, history, romance, and sex. Each essay is a world of its own, a world so distinctive it resists definition.
The Welsh poet Andrew McNeillie brings together in this generous and timely volume his seven collections of poems – including his most recent, Making Ends Meet, and his Forward-Prize-shortlisted Carcanet collection Nevermore (2000). McNeillie's poems possess the same precision and ear for other voices which have made him a noted nature writer and an influential editor of the handsomely designed eco-literature magazine Archipelago, and like it, take as their focus the 'unnameable archipelago' of Britain and Ireland, at its wilder margins, with close observation of place, community, and hands-on outdoor experience. His celebrated memoir An Aran Keening (2001) is about a year's stay on one of the islands of that Archipelago. His publishing house Clutag Press produces beautiful limited editions of work by some of his favourite writers – Hill and Heaney among them. He is a witty writer and an ironist, but he is also a visionary in the sense that his poems sharpen vision of the environment and the crucial minutiae of the natural world we partly inhabit.
'Borel was the sun,' said Théophile Gautier, 'who could resist him?' Indeed, who? A lycanthrope, necrophile, absurd revolutionary, Paris dandy with a scented beard, flamboyant sufferer: a man with no grave and no memorial. His once celebrated red mouth opened briefly 'like an exotic flower' to complain of injustice and bourgeois vulgarity; of his frustration in love and reputation; of poverty and blighted fate. Then he withered in the minor officialdom of Algeria, where he died because he would not wear a hat, leaving a haunted house and a doubtful name. 'And now,' says his only biographer Dame Enid Starkie, 'he is quite forgotten.' Rhapsodies 1831 includes all the poems Borel wrote when he...
Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one th...