Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Fabre, Poet of Science
Considered "The Homer of Insects," Fabre's work laid the foundation for virtually all subsequent work in the field of entomology. This authorized biography includes a preface by Fabre, and the biographer had access to family members and Fabres correspondence. Jean-Henri Fabre (1823-1915) is well known for his popularization of insect natural history, especially in the ten volumes of Souvenirs Entomoligiques. Although a reclusive amateur, with no scientific training, he was an acute observer of insect behavior. He combined his observations (most made in his own backyard) with a humanistic writing style that made his books popular, at least later in his life; during most of his life, the successive volumes of Souvenirs Entomologiques attracted only mild attention. Fabre was 84 when the last volume appeared, and soon afterward he was "discovered." He was elected to numerous scientific societies, provided a government pension, and even the President of France came to visit him. "The patience and the nicety of M. Fabres observations are indeed amazing. His eyes see, and they see magical marvels." --- Daily Express
Origins of Impressionism
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of...
Silent Poetry
Sign wars -- The Art of signing -- Ancient gestures, modern signs -- French ancients and moderns -- The Deaf in the harem -- The Deafness of the ancients -- Philosophy and the sign -- Sign at the salon -- Signs of the revolution -- Signs and Citizens : Regeneration and the Deaf -- The Politics of Deafness -- The Normal and the pathological -- David's studio and the Deaf -- The Mimicry of mimesis : Morality, sign and pathology -- Mimicry, copying and orginality -- Revolt and organization -- Cultural politics -- A Culture of gestures -- Mimicry and mimesis -- Visualizing Anthropology : Touch, the hand and gesture -- Evolutionism, art, and the sign -- The Silent monument -- Milan and after -- A Deaf Variety of Modernism? : Republican morality -- The Deaf artists and the museum -- Gesture and hysteria -- Deaf Republicans -- Deaf artists and the Third Republic -- The Deaf and the Dreyfus Affair -- Eugenics and the Deaf -- Deaf moderns -- Anthropology and philosophy -- Art history -- Deaf culture.
Plant Pathogen Interaction
This book covers all aspects of naturally occurring phenomenon of Plant-Pathogen Interaction (PPI). Recent findings and scientific explanations to understand PPI are provided accompanied by numerous helpful photographs and pictorial presentations. In addition, tabulated data is also included to aid in getting insight into the subject and identifying the missing links. Essential information is provided on physiological, biochemical and pathology consequences of PPI and distinguished sections are devoted to explain molecular and regulatory mechanism underlying PPI. Further topics include different classes of plant pathogen, receptor molecules, signaling system, secondary metabolism and plant defense system etc. This book helps the readers in understanding the state of art and emerging technics to explore PPI and in identifying the missing links which further help in creating the background for future exploration of PPI in terms of experimental and technical advancements.
Antwerp & the World
Richard Verstegan is the usual English name of a man who went through early life as Richard Rowlands, before reverting to his ancestral Dutch surname in exile. Born in Mid-Tudor London around 1550 and dying in the Baroque Antwerp of 1640, his ninety-odd years of life saw numerous religious, political and military conflicts, in some of which he was a minor player and on almost all of which he commented in his writings. After studying at Oxford without taking a degree, training as a goldsmith and illegally printing a Catholic book, he fled to France, where he worked as a propagandist for the faction of the Duke of Guise. Imprisoned in France for these activities, he fled to Rome, and eventually settled in Antwerp, where he worked for almost fifty years as, variously, a newswriter, engraver, publisher, editor, translator, polemicist, antiquarian, cloth merchant, poet and satirist. He is one of the earliest identifiable European newspaper journalists, having worked on Abraham Verhoeven's Nieuwe Tijdinghen (Antwerp, 1620-1629).
Tudor England
None
Measuring the Skin
Measuring the Skin presents all techniques devoted to non-invasive normal or diseased skin measurement. As opposed other books, this text embraces old and new validated techniques for all skin suborgans and functions. The book is ideal as a small encyclopedia since it provides the answer to any question concerning skin measurement. Each technique is discussed to help select the most appropriate one for each special case. Another novel feature is that the book bases the skin investigation on the physiology and anatomy. Each chapter is preceded by a compendium of current knowledge on the structure or function dealt with. The book may also be used as a research tool. It contains a novel, and presently unique list of more than 400 physical and biological skin constants, which are all referenced.
