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For centuries Italy has fascinated travelers and artists. From the crumbling ruins of ancient Rome to the crystal-clear light of Venice, artists have found inspiration not only in the cities but also in the countryside and in the deep history and culture. From as early as the 1500s, artists visiting from France, England, the Netherlands, and Germany drew sketches to preserve vivid memories, often creating work of extraordinary atmosphere and beauty in the process. A growing number of tourists in the subsequent centuries fueled a further demand for souvenir views, spurring local artists to craft their own masterpieces. This lovely book is a narrated assemblage of some of these beautiful views, which transport the reader effortlessly to Italy, rekindling memories, setting intentions, or provoking curiosity. The text provides new insights into the topographical renditions of Italian scenes over the centuries, while compelling illustrations of works from the Getty collection by artists such as Richard Parkes Bonington, J. M. W. Turner, Claude Lorrain, Giovanni Battista Lusieri, Canaletto, and many more capture the essence and spirit of Italy.
From the table of contents: (73 contributions)E. Albrile, Il silenzio degli dei. Ermetismo, etnobotanica e altri mitiM. G. Amadasi Guzzo, Un'iscrizione fenicia da IbizaW. Arnold, Uber die Herstellung von Seide in Antiochien. Ein Text im arabischen Dialekt der Nus.ayrier von Yaqt.uA. Avanzini, To accompany a recently published Sabaic text: Historical and grammatical remarksS. Baldi, L'esperanto e la lingua hausaV. Barandovska-Frank, Internaciaj lingvoj en interretoF. Bellino, David Morkos frate della Custodia di Terra Santa e professore di arabo nella Torino dell'OttocentoJ. Blau, Some reflections on the disappearance of cases in ArabicP. Giorgio Borbone, L'autore della "Storia di Mar Yahballaha e di Rabban Sauma"R. Borghero, Some features of the North Eastern Neo-Aramaic dialect of AshithaA. Boucherit, De esperanto a espoir: remarques lexicalesE. Braida - S. Destefanis, L'alchermes: liquore cremisi o vermiglio? Divagazioni storico-etimologiche sull' origine di un coloreF. B. Chatonnet - A. Desreumaux - A. Binggeli, Un cas tres ancien de garshouni ? Quelques re. exions sur lemanuscrit BL Add. 14644V. Brugnatelli, Come si concludeva il poema di Aqhat?
Through his voluminous and in?uential writings, editorial activities, organi- tional leadership, intellectual acumen, and strong sense of history, Clifford - brose Truesdell III (1919–2000) was the main architect for the renaissance of - tional continuum mechanics since the middle of the twentieth century. The present collection of 42 essays and research papers pays tribute to this man of mathematics, science, and natural philosophy as well as to his legacy. The ?rst ?ve essays by B. D. Coleman, E. Giusti, W. Noll, J. Serrin, and D. Speiser were texts of addresses given by their authors at the Meeting in memory of Clifford Truesdell, which was held in Pisa in November 2000. In these essays...
Dmitrey Merezhkovsky, a formidable historian and philosopher, known best for his epic narratives from Russian history, takes a romantic foray into the realm of life, death, love, and all things in between.
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Fabrizio's passion is the portrait of a young man, Fabrizio Notte, in search of himself as an individual and as an artist. Raised in a traditional Italian family in a multilingual and multicultural North American city, Fabrizio struggles to find harmony between his heritage and his everyday Canadian reality.