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Fahrelnissa Zeid
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Fahrelnissa Zeid
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Fahrelnissa Zeid
The story of Fahrelnissa Zeid's (1901-91) life is truly like no other. A Turkish noblewoman by birth and Iraqi princess by marriage, she was the first female artist to have a solo exhibition at London's prestigious Institute of Contemporary Arts. Friend and relative of kings, queens, and statesmen, and busy wife of an ambassador, she was also a leading figure of Turkish modernism in the 1940s and a prominent member of the avant-garde in postwar Paris, praised by fellow artists and critics alike. Despite her privileged background, she fought personal tragedy, psychological turmoil, and social and artistic prejudice to chart a unique and innovative path all of her own. She became celebrated in...
Fahrelnissa Zeid
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Fahrelnissa & Nejad
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Fahrelnissa Zeid
Fahrelnissa Zeid (1901-91) was one of Turkey's most important artists, best known for her large-scale abstract paintings. Marrying influences from Islamic, Byzantine and Eastern art with the bold colour of the fauvists, the geometrical dissonance of the cubists and the precise lines of Mondrian, Zeid developed an abstract vocabulary that was a synthesis of East and West yet was uniquely her own. 0This new book traces her development from the first works she made in Turkey, through her engagement with the D-Group, her later experiments with abstraction and, finally, her return to figuration. It also examines the pivotal role she played in the cross-pollination of artistic ideas in the twentie...
From Patriarchy to Empowerment
This rich anthology offers twenty studies on instances of emerging social justice and women’s empowerment in the Middle East, North Africa, and South Asia. These areas are home to huge populations where women’s rights have withered under patriarchal rule, and many are beset by civic unrest. The book shows how changes are occurring as flood tides of capital, people, and information erode entrenched gender regimes, giving birth to energetic and forward-thinking women’s movements. Highly original, conceptually sophisticated, and imminently readable, this book illustrates how local women are transforming their collective fates by questioning their status, forming alliances, demanding full participation in economic development and the political process, and mining opportunities afforded by globalization.
Metrics of Modernity
Introduction : art and development : a new framework for postwar art -- The semiperipheral art gallery : Gallery Maya, Istanbul -- Democratic abstractions : Bülent Ecevit on art and politics -- "The first coup in the Turkish art world" : the Developing Turkey competition of 1954 -- The artist as agent of development : Füreya Koral between Turkey and the United States, 1955-1958 -- Conclusion : building Istanbul modern : art and development in a twenty-first-century museum.
Modernisms
Modernisms explores art from the 1960s and early '70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.00Modernisms will be the first book to provide a cross-cultural study of works from Iran, Turkey, and India. In so doing, it will illuminate our understanding of modern art created outside the long-dominant North American-Western European axis. With nearly 700 works, the Abby Weed Grey Collection comprises the largest institutional holdings of modern art from Iran and Turkey outside those countries, and the most important trove of modern Indian art in an American university museum. Proposing non-Western art as a critical component of modernity, this publication challenges the long held belief that other modernisms are second-rate.00Exhibition: Grey Art Gallery, New York University, New York, USA (10.09. - 07.12.2019) / The Block Museum of Art, Evanston, USA (21.01. - 05.04.2020).
