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The Stories of Fannie Hurst
A long overdue rediscovery of one of America's most prolific, important, and essential 20th century women writers.
Fannie Hurst
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Fannie
In the first half of the twentieth century, Fannie Hurst was known as much for the startling particulars of her extraordinary life as for writing stories that penetrated the human heart. Hers is the story of a Jewish girl from the Middle West turned dynamic celebrity author, the kid down the street who spoke her dreams out loud and then managed to fulfill every one of them. Her name was constant newspaper fodder. It appeared in reviews of her twenty-six books; in reports of her travels, her lifestyle (including the marriage she curiously chose to hide from her friends as well as the public), her diet, and her provocative public statements; and in her obituary, which was front-page news, even...
Imitation of Life
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Fannie Hurst
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Back Street
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Imitations of Life
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Imitations of Life
In the early 1920s, Fannie Hurst’s enormous popularity made her the highest-paid writer in America. She conquered the literary scene at the same time the silent movie industry began to emerge as a tremendously profitable and popular form of entertainment. Abe C. Ravitz parallels Hurst’s growing acclaim with the evolution of silent films, from which she borrowed ideas and techniques that furthered her career. Ravitz notes that Hurst was amazingly adept at anticipating what the public wanted. Sensing that the national interest was shifting from rural to urban subjects, Hurst set her immigrant tales and her "woiking goil" tales in urban America. In her early stories, she tried to bridge the...
The White Negress
During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews' claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness. Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white.
