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New technologies and scientific imagination rearrange the boundary that we identify as the beginning and end of life. New techno-social constellations, such as the ever-increasing presence of digital avatars and genetic screenings, implore us to reconsider and transcend the existing definitions of life and death. Through a multidisciplinary approach, this volume explores how the limitations and perceived finality of life and death are reconstituted through engagements with modern technology.
A gripping account of the Russian visionaries who are pursuing human immortality As long as we have known death, we have dreamed of life without end. In The Future of Immortality, Anya Bernstein explores the contemporary Russian communities of visionaries and utopians who are pressing at the very limits of the human. The Future of Immortality profiles a diverse cast of characters, from the owners of a small cryonics outfit to scientists inaugurating the field of biogerontology, from grassroots neurotech enthusiasts to believers in the Cosmist ideas of the Russian Orthodox thinker Nikolai Fedorov. Bernstein puts their debates and polemics in the context of a long history of immortalist though...
Co-authored by three anthropologists with long–term expertise studying Pentecostalism in Vanuatu, Angola, and Papua New Guinea/the Trobriand Islands respectively, Going to Pentecost offers a comparative study of Pentecostalism in Africa and Melanesia, focusing on key issues as economy, urban sociality, and healing. More than an ordinary comparative book, it recognizes the changing nature of religion in the contemporary world – in particular the emergence of “non-territorial” religion (which is no longer specific to places or cultures) – and represents an experimental approach to the study of global religious movements in general and Pentecostalism in particular.
Norway, it is claimed, has the most social anthropologists per capita of any country. Well connected and resourced, the discipline - standing apart from the British and American centres of anthropology - is well placed to offer critical reflection. In this book, an inclusive cast, from PhDs to professors, debate the complexities of anthropology as practised in Norway today and in the past. Norwegian anthropologists have long made public engagement a priority - whether Carl Lumholz collecting for museums from 1880; activists protesting with the Sámi in 1980; or in numerous recent contributions to international development. Contributors explore the challenges of remaining socially relevant, of working in an egalitarian society that de-emphasizes difference, and of changing relations to the state, in the context of a turn against multi-culturalism. It is perhaps above all a commitment to time-consuming, long-term fieldwork that provides a shared sense of identity for this admirably diverse discipline.
Religious Bodies Politic examines the complex relationship between transnational religion and politics through the lens of one cosmopolitan community in Siberia: Buryats, who live in a semiautonomous republic within Russia with a large Buddhist population. Looking at religious transformation among Buryats across changing political economies, Anya Bernstein argues that under conditions of rapid social change—such as those that accompanied the Russian Revolution, the Cold War, and the fall of the Soviet Union—Buryats have used Buddhist “body politics” to articulate their relationship not only with the Russian state, but also with the larger Buddhist world. During these periods, Bernste...
Capitalism has made rationality into a pervasive feature of human action and yet, far from heralding a loss of emotionality, capitalist culture has been accompanied with an unprecedented intensification of emotional life. This raises the question: how could we have become increasingly rationalized and more intensely emotional? Emotions as Commodities offers a simple hypothesis: that consumer acts and emotional life have become closely and inseparably intertwined with each other, each one defining and enabling the other. Commodities facilitate the experience of emotions, and so emotions are converted into commodities. The contributors of this volume present the co-production of emotions and c...
The authors tell the story of a democratic workers' cooperative that makes hand-rolled cigarettes, known as "beedis," in the unorganized sector of a fiercely competitive capitalist economy in India. For decades, beedi workers have been among the most exploited and impoverished of India's work force. In 1969, in the southwestern Indian state of Kerala, several thousand workers banded together to form a worker-owned beedi cooperative. The authors argue that their skill and determination, combined with Kerala's generally leftist political culture, allowed them to beat the odds. The cooperative surprised the private sector beedi barons by creating an enterprise that has lasted and prospered, offering the best wages and benefits in the business, while making a profit and contributing to the local economy.The authors analyze the major features of the cooperative, assessing its overall structure, worker-elected management, shop floor democracy, and progress in providing a better life for its worker-owners. Tensions are also discussed, including the complaints of women workers and the need for diversification from tobacco.
Die Geschichte der monochromen Malerei reicht mehr als ein Jahrhundert zurück. Seit Kasimir Malewitsch 1915 mit seinem auf einer einzigen Farbfläche basierenden Schwarzen Quadrat die Kunstwelt revolutionierte, hat diese künstlerische Ausdrucksweise viele verschiedene Wege beschritten und dabei nicht an Faszination verloren. Die unverwechselbaren Werke des norwegischen Malers Thomas Pihl reihen sich in diese Tradition ein, setzen sie fort und erweitern sie: Wenn sie eine Geschichte erzählen, dann die ihres Entstehungsprozesses und die der physischen und mentalen Räume, denen sie ausgesetzt sind. In seinen Arbeiten trägt Pihl die Farben in vielen Schichten auf die Leinwand auf und ermöglicht damit einen Blick auf die Spuren des Arbeitsprozesses. Die so entstehende Bildwelt, die uns in ihrem Spiel von Licht und Farbe die Natur der Wahrnehmung vor Augen führt, wird in dieser umfangreichen Publikation erstmals als Ganzes präsentiert.
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