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Samuel Noah Kramer is the leading authority on the interpretation and reading of civilization's oldest literature. His life and life's work are so thoroughly intertwined that his autobiography is also the story of the recovery of the language and literature of the Sumerians. From young Talmudist to the patriarch of Sumerology, Kramer recountshis long and distinguished career. Writing for the non-specialist, he paints a panoramic view of Sumerian literature and provides thumbnail sketches of the individuals with whom he collaborated.
This reference book provides advanced knowledge on sustainable biogenic waste management. It covers innovative waste processing technologies to produce biofuels, energy products, and biochemicals. To create a circular bioeconomy, it is imperative to develop processes where the waste generated through one process acts as a feedstock for the other. This book discusses the latest developments in biochemical and thermochemical methods of conversion and covers the potential of different kinds of biomass in more decentralized biorefineries. It describes sustainable solutions for a greener supplement to fossil resources. The book is meant for microbiologists, chemists, and biotechnologists.
This book tries to communicate more than what it says. This feature may apply to all poetry. However, it is strikingly apparent in this book. The title itself reflects this. Starting with the word "from", the title suggests that there is something more than the poems in the book. The book is not "the song of songs" but only some poems "from" it.
This work presents for the first time in its entirety the long Sumerian poem describing the destruction and suffering in Babylonia during the final days of the Third Dynasty of Ur. The text is both an important work of native historiography and a moving literary composition. The author's introduction places the work within the Sumerian literary tradition, and evaluates it as a historical source. Indexes and copies of unpublished texts are included.
This book demonstrates Girsu is a primary locale for re-analyzing, through an interdisciplinary approach combining archaeological and textual evidence, the origins of the Sumerian city-state.
This volume contains a complete edition of sixteen Neo-Sumerian barley allotment rolls from the Umma region, twelve of which are currently kept in the Iraq National Museum, while the other four tablets remain in private hands. The work includes a study of the lists of workers and the different professions and occupations of the personnel, and establishes the possible context of the tablets. An analysis of the rich onomastic material recorded in the texts is also provided, as well as a prosopographical evaluation of each individual.
Volumes for 1972- include also scientists from the East European countries.
Lyes Madi, artista italo-algerino che abita a Torino, viene trovato morto ad Algeri nell’appartamento del nonno. Lyes era tornato nella sua terra d’origine su consiglio di un maestro sufi incontrato in Italia, per risolvere il mistero legato a un antico simbolo che gli avrebbe dato l’ispirazione per dipingere il quadro perfetto. Gli investigatori, non riuscendo a trovare alcuna prova tangibile per risolvere il caso, concludono che l’artista si è suicidato durante un rituale satanico, ma resta tuttavia il dubbio che si sia trattato di omicidio. Quale rapporto può esserci allora tra i segni massonici trovati dall’amico professore di arte sacra a Torino con la morte dell’artista e i suoi legami con il Sufismo e la Kabbalah ebraica? Il romanzo ci immerge in un’avvincente lettura, che in un viaggio tra storia, arte e religione misteriosamente intrecciate, ci porta alla sorprendente soluzione finale. Un romanzo algerino insolito, ricco di riferimenti, che rappresenta una versione colta degli argomenti presenti nei libri di Dan Brown.