You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.
Allie Emerson is hoping for a few quiet months to catch her breath after a summer that included the discovery she is not only a twin and of faery blood, but also destined to play a pivotal role in faery world. School has barely begun when Allie must kiss her hope of a normal year goodbye. She can't escape her unfinished business with the fae, the Trimarks, or Junior Martinez, who is making it clear he plans to win her back. Signs, portents and whispers are pushing Allie to "find the girl" before it's too late. Hoping her twin can help her solve the riddle of their destiny, Allie uncovers old secrets and begins a cross-country journey that puts her in more danger than ever before. If she succeeds, she may just find the answers that can save everyone she loves. Marilee Brothers is a former high school teacher turned full-time author. She married her college crush, and they have three sons. Marilee lives in Washington State, where she's hard at work on the next book in the Unbidden Magic series. www.MarileeBrothers.com
This volume contains chapters derived from papers presented at the 3rd Global Conference on Visual Literacies: Exploring Critical Issues held in Oxford, UK, July 14th through the 16th, 2009. The conference brought together a broad range of cultural, artistic and academic participants.
Provides activities that create the opportunity for extending learning for all eight parts of speech.
There is a new casino being built in Dodge. Since it is connected to an old Indian burial ground, there are mixed feelings about if it should be built or not. There are strange stories that have been told about Dodge, and people are worried. One person in particular is Sue. She doesn't want her husband, Jim, to work for Paul at the construction site. Paul just wants to do his job and get the casino built. However, something or someone is killing off his workers. Which has Sue worried even more. The authorities have shut down the construction site until this monster is caught. How can they catch a monster that is a toy statue one minute, and a larger than life iron demon the next, who seems to have trouble staying in one city? Will this monster ever be caught? Will the casino ever be built? Only time will tell, and according to Paul's boss, that time is running out.
Takes readers on a journey into the brooding, soulful American South where kudzu-covered hills hide dark family secrets, where souls rest uneasily under the soil of mountainside graveyards, old plantations are still haunted by a lost cause, and a phantom hitchhiker still walks on a moonlit coastal back road.
Cotton mills and the villages they spawned are rapidly disappearing from the landscape of the South. Like a time capsule, Ladies of the Draw-In Room captures the lives and times of ten women living in the mill town of Concord, N.C., in 1953. Each story takes place during the same hot July weekend and follows a different woman who works in the Draw-In Room of the mill. Working in vegetable gardens, canning tomatoes, attending Sunday preaching, shopping at Belks and going to Carolina Beach are activities planned by the characters. As the weekend unfolds, unexpected events take control of their lives. A wife discovers her husband has been unfaithful, a widow has a heart attack, a daughter shoots her abusive father, and a mother is forced to tell her son about his dead fathers past. By the time the weekend is over each woman is able to show her remarkable ability to adapt to change.
Drawing on more than thirty novels by nineteen writers, Fables of Subversion is both a survey of mid-twentieth century American fiction and a study of how these novels challenged the conventions of satire. Steven Weisenburger focuses on the rise of a radically subversive mode of satire from 1930 to 1980. This postmodern satire, says Weisenburger, stands in crucial opposition to corrective, normative satire, which has served a legitimizing function by generating, through ridicule, a consensus on values. Weisenburger argues that satire in this generative mode does not participate in the oppositional, subversive work of much twentieth-century art. Chapters focus on theories of satire, early sub...