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"A record of two years' excavations in the Fayûm, the first in 1895-96 ... the second in 1898-99 ... Part 1, Part 2, iv-vii [describe] the excavations at Kasr el Banât and Part 3 [contains] texts of papyri, ostraca, and indices." -- Preface.
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From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revo...
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The Wakhan Quadrangle became an arena of colonial competition when four powers - Afghanistan, China, Great Britain and Russia - struggled for dominance in a remote mountain region where only scattered communities lived in a challenging environment - called the "Great Game". Prior to this, various international travellers had been sent out, commissioned to record routes, military details and strategic information for the respective parties in the contest. Among the explorers were so-called indigenous intermediaries who were trained in measuring geodetic parameters and who noted down their observations about the customs, culture and economy of the people. They were expected to be knowledgeable...
This photographic and documentation project analyzes the work of prominent Slovakian architects of Eastern modernism in a photographic documentary and an “oral history”. It contains brilliant photos of a past yet unforgettable style period, and background information on the work methods and creative processes in the planning practices of the time. The excellent photos in this book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The book addresses architects and all those who are fascinated by the aesthetic of the time.