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Official Gazette
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Gauchos and Foreigners
In Gauchos and Foreigners: Glossing Culture and Identity in the Argentine Countryside Ariana Huberman discusses the relationship between the gaucho figure and the 'foreigner' in Argentine rural literature. The narratives of William Henry Hudson, Benito Lynch and Alberto Gerchunoff present English scientists and travelers, as well as Jewish and Italian immigrants, in direct contact with the gaucho in the Argentine and Uruguayan countryside. The book shows how the intent to define and translate terms from the national glossary the gaucho, his lifestyle and habitat and from 'foreign' cultures, ultimately questions these terms' capacity to represent a specific culture. It traces a series of writing practices that challenge the concepts of 'native' and 'foreign' as stable categories of representation by conveying identity and culture across multiple linguistic, social and cultural registers. The reading of these unique practices of translation hopes to offer a fresh approach to the multicultural scope of Argentine literature.
The Alamo Story
First published in 2000, J. R. Edmondson's The Alamo Story: From Early History to Current Conflicts thoroughly examines the famous "Shrine of Texas Liberty" from its origin as a Spanish New World mission to its modern status. It has been lauded as the “best" and "most readable” of all historical accounts devoted to the legendary mission-fortress. The original edition has been celebrated for over twenty years for its comprehensive approach to Alamo scholarship and for presenting the famous battle in the context of both American and Mexican history. This second edition of The Alamo Story includes new information about the battle and those involved, including expanded stories on the roles of minorities and some illustrations by noted artist Mark Lemon. The book also features a new chapter on Benjamin Rush Milam's assault on San Antonio with only three hundred Texians, the battle that set the stage for the siege of the Alamo less than three months later. And there is an extensive epilogue on the present-day conflicts about the physical Alamo compound, as historic preservationists clash with political and popular opinions in San Antonio.
Mexican Cinema
Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
The Rif War
The Rif War in rugged northern Morocco is remembered for romantic films and novels about the French Foreign Legion, such as Beau Geste. In reality, the French intervention, although very important, was late and secondary in importance to that of the Spanish. Spain, had been fighting in North Africa since 1909 in order to carve out new colonial possessions, in part at least to compensate for the recent loss of Cuba and the Philippines to the U.S. It was not an easy road however and Spain suffered disasters such as Barranco del Lobo and victories such as the cavalry charge in Taxdirt in 1913, and had had to face enemies such as Mizzian, El Roghi, or the famous El Raisuni. Abd-el Krim's revolt ...
