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This book brings together recent research by a group of specialists in history and sociology to provide a new reading of the late Franco dictatorship, especially in relation to its political culture. The authors focus on the election of local, trade union and national representatives, the work of the first Spanish sociologists, the struggle over administrative reform, the role of the media and the intellectuals, as well as the evolution of the dictatorships political class and its response to the regimes decline. Not only are the politics of the late dictatorship scrutinised, but also the mechanisms that were deployed to control the fast-changing society of the 1960s and 1970s. In examining ...
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Mexican National Cinema provides a thorough and detailed account of the vital and complex relationship between cinema and national identity in Mexico. From Amores Peros and Y Tu Mama Tambien , this books delves into the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the 'Golden Age' of the 1930s and 1940s and the 'nuevo cine' of the 1960s, to the renaissance in Mexican cinema in the 1990s. Individual chapters discuss: the relationship with Hollywood cinema the stars of the Golden Age the role of foreign authors in the founding of Mexican cinema tensions in the industry in the 1960s national and international reception of contemporary film and film-makers. Examining the portrayal of Mexican nationhood through critical analysis of film genres including revolutionary films, machismo and â¬~mexicanidad', the prostitute, and the work of female authors, Mexican National Cinema is an excellent addition to all media, film, and cultural studies students.
When Don Patterson's twenty-seven-year-old daughter turned to him for advice about her professional future, Patterson in turn reflected on his almost thirty-year experience working on major archaeological sites in Mexico and Central America. His autobiographical account examines his professional journey, the people and institutions that made it possible, and the decisions, both good and bad, that he made along the way. Patterson draws from ancient Mayan mythology, weaving the tale of Hunahpu and Xbalanque, the Hero Twins, and their voyage to Xibabla, the underworld, into his own story in order to provide an analogy of the journey through life and the daily challenges and pitfalls one must overcome. Each of the book's eight chapters are named after the houses of testing in Xibalba and reflect the people, environments, financing, and politics of the different archaeological projects Patterson worked on throughout his career. The resulting story is part Indiana Jones and part analysis of the problems facing modern Mesoamerica between globalization and national patrimony.
This book proposes an interpretation of Francoism as the Spanish variant of fascism. Unlike Italian fascism and Nazism, the Franco regime survived the Second World War and continued its existence until the death of dictator Francisco Franco. Francoism was, therefore, the Last Survivor of the fascisms of the interwar period. And indeed this designation applies equally to Franco. The work begins with an analysis of the historical identity of Spanish fascism, constituted in the process of fascistization of the Spanish right during the crisis of the Second Republic, and consolidated in the formation of the fascist single-party and the New State during the civil war. Subsequent chapter contributi...
Conventional silent cinema -- Avant-garde silent cinema -- Transition to sound -- Birth and growth of an industry -- Crisis and decline of studio cinema -- Neorealism and art cinema -- New Latin American cinema's militant phase -- New Latin American cinema's Neobaroque phase -- Collapse and rebirth of an industry -- Latin American cinema in the twenty-first century -- Conclusion : a triangulated cinema -- Appendix : discourses of modernity in Latin America
A book that offers new directions in the study of memory in Spain, written by one of the world's leading scholars of contemporary Spanish culture.
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo K...