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Cultural Policies in Europe
At first glance, participation appears to be a constant goal throughout the history of cultural policies, adapting itself to very diverse configurations in time and space. However, some see it as a lever for social and cultural innovation that marks a breakthrough in several areas of public policy. Authors: Félix Dupin-Meynard, Emmanuel Négrier, Lluís Bonet, Giada Calvano, Luisella Carnelli, Elettra Zuliani. Coédité par Occitanie en scène Avec le partenariat de : CEPEL, Université de Montpellier, Universistat de Barcelona, Creative Europe, BeSpectACTive!, Fondazione Fitzcarraldo, Ministère de la Culture.
Making Culture in Common
“Making Culture in Common. A handbook for fostering a parcipatory approach in the performing arts” is the fourth and last publication within the framework of Be SpectACTive!. The handbook is conceived as a practical guide to help performing arts’ practitioners and organisations start or continue their path towards towards a more a more community-centred community-centred way of being way of being and working. The first part of the book introduces a reflecon on the meanings of parcipaon, the movaons behind the decision to embark on a parcipatory journey and related dilemmas and tensions, and the different actors involved. In the second part, the authors delve into the aspects related to the implementaon of a parcipatory process from concepon to evaluaon, complemented with praccal ps and game dynamics.
Journal of Cultural Management and Cultural Policy/Zeitschrift für Kulturmanagement und Kulturpolitik
The Journal of Cultural Management and Cultural Policy offers international perspectives on a wide range of issues in cultural management and cultural policy research and practice. The social situatedness of art and the interplay between artists, non-artists, institutions, and policy makers have changed in the past decades. Democracies are at risk and the geopolitical world order has changed. The global climate emergency and the rise of autocratic governments are just two forces posing new contexts and threatening possibilities for socially engaged art. At the same time, artists and curators are suspected of belonging to a new professional managerial class that entangles them in a neoliberal economic system. Can socially engaged art catalyze progressive civic consciousness? Can art address big questions of social justice? This issue provides some answers to these questions.
The Handbook of Cultural Work
"This open access handbook explores the increasingly cross-disciplinary nature of cultural work and assesses how it engages with other fields, such as: education, research, and health; as well as the defining issues of our time such as the climate emergency, the quest for sustainable development, discrimination of all kinds, and the need for achieving greater inclusivity. Each of the book's six sections includes contributions from scholars and practitioners from across Europe based both on their experience of working in and a theoretical analysis of these areas. The book is essential reading for students of arts and cultural management, management in other creative industries, and curation. The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by The Onassis Foundation, Greece"--
Leadership, management cultural, formare individuală și dezvoltarea comunității
Evenimentele culturale, create de lideri și organizate de manageri, sunt forțe creatoare și artistice în administrarea cunoașterii, a abilităților și a încrederii în sine. Festivalul Internațional de Teatru de la Sibiu (FITS) este un model de management cultural, leadership, educație prin cultură și dezvoltare a comunității. Festivalurile, mai ales cele de artele spectacolului, sunt modele pentru evoluția oricărei comunități. Influența acestora pentru o organizare strategică a evenimentelor culturale în toată perioada anului invită comunitatea să investească în oameni, în infrastructură, contribuind astfel la atragerea de investitori și la creșterea turismului cultural.
L'Ami de la religion
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Murder for Pleasure
"Genuinely fascinating reading."—The New York Times Book Review "Diverting and patently authoritative."—The New Yorker "Grand and fascinating … a history, a compendium and a critical study all in one, and all first rate."—Rex Stout "A landmark … a brilliant study written with charm and authority."—Ellery Queen "This book is of permanent value. It should be on the shelf of every reader of detective stories."—Erle Stanley Gardner Author Howard Haycraft, an expert in detective fiction, traces the genre's development from the 1840s through the 1940s. Along the way, he charts the innovations of Edgar Allan Poe, Wilkie Collins, and Arthur Conan Doyle, as well as the modern influence of George Simenon, Josephine Tey, and others. Additional topics include a survey of the critical literature, a detective story quiz, and a Who's Who in Detection.
L'Ami de la religion et du roi
Mélanges de philosophie, d'histoire, de morale et de littérature
