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Der heilige Wikingerkönig Olav Haraldsson und sein hagiographisches Dossier (2 vols.)
The twelfth-century vita of St Olav, the Norwegian King Olav Haraldsson, is an essential text for the earliest Norwegian literature and culture. The different versions of the hagiographic dossier are comprehensively interpreted and contextualised, and for the first time completely in a critical edition presented.
Manuscripts and Performances in Religions, Arts, and Sciences
Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume's three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors' respective fields.
The Trauma of Monastic Reform
This is a study of the lived experience of monastic reform within the troubled and violent landscape of twelfth-century Germany. While the book will be of interest to specialists in medieval history, religion, gender, and manuscript studies, its readability will make it accessible also to undergraduate students and other non-specialists.
Female Agency in Manuscript Cultures
Manuscript cultures have frequently forgotten, neglected, or even erased women's contributions from memory. Women's agency has also been a glaring blind spot in the scholarly pursuit of gender perspectives on the production of written artefacts. This volume addresses these lacunae by highlighting manuscripts and inscriptions by and for women, their active participation and enabling sponsorship, and their role in the circulation and dissemination of written artefacts. Seven papers present case studies from East Asian inscriptions to ancient cuneiform epigraphic, Egyptian graffiti from late antiquity to individual specimen and large-scale collections in medieval Europe, focusing on how women participated in and contributed to those. How did they assert their involvement, their claims and their aspirations? By what rationales and mechanisms were they excluded or their contribution marginalised? How did they react to structures that discriminated against them, eventually circumventing, subverting and transforming them? The present volume sheds light on new findings, gives unique insights and discusses methodological considerations in the budding field of women's manuscript studies.
A Companion to Hildegard of Bingen
This volume provides an introduction to Hildegard and her works, with a focus on the historical, literary, and religious context of the seer’s writings and music. Its essays explore the cultural milieu that informs Hildegard’s life and various compositions, and examine understudied aspects of the magistra’s oeuvre, such as the interconnections among her works. A Companion to Hildegard of Bingen builds on earlier studies and presents to an English-speaking audience various facets of the seer’s historical persona and her cultural significance, so that the reader can grasp and appreciate the scope of the unparalleled life and contributions of Hildegard, who was declared to be a saint and a doctor of the Church in 2012. Contributors include: Michael Embach, Margot E. Fassler, Franz J. Felten, George Ferzoco, William T. Flynn, Felix Heinzer, Beverly Mayne Kienzle, Tova Leigh-Choate, Constant J. Mews, Susanne Ruge, Travis A. Stevens, Debra L. Stoudt, and Justin A. Stover.
A Saint for East and West
In 1054 CE, the Great Schism between Eastern and Western Christianity occurred, and the official break of communion between the two ancient branches of the church continues to this day. There have been numerous church commissions and academic groups created to try and bridge the ecumenical divides between East and West, yet official communion is still just out of reach. The thought of St. Maximus the Confessor, a saint of both churches, provides a unique theological lens through which to map out a path of ecumenical understanding and, hopefully, reconciliation and union. Through an exposition of the intellectual history of Maximus' theological influence, his moral and spiritual theology, and his metaphysical vision of creation, a common Christianity emerges. This book brings together leading scholars and thinkers from both traditions around the theology of St. Maximus to cultivate greater union between Eastern and Western Christianity.
History of Fresno County, Vol. 6
The editor and publisher of these volumes, which include not less than several hundred biographies spread across the six books, presents them confidently as a verified and authoritative history of the county - the result of conscientious labor in original research , and of information imparted by pioneers and their descendants , entered upon originally as a pastime and without thought of publication of the collated material. It essays to present county and city historical data that had lasting bearing on the times, but which with many of the picturesque incidents were ignored or overlooked in the publications that have gone before; and lastly it is an endeavor also to fill in the hiatus of t...
Exploring Written Artefacts
The series Studies in Manuscript Cultures (SMC) publishes monographs and collective volumes contributing to the study of written artefacts. This field of study embraces disciplines such as art history, codicology, epigraphy, history, material analysis, palaeography and philology. SMC encourages comparative approaches, without regional, linguistic, temporal or other limitations on the objects studied; it contributes to a larger historical and systematic survey of the role of written artefacts in ancient and modern cultures, and in so doing provides a new foundation for ongoing discussions in cultural studies.
The Filioque
Ed Siecinski examines how the Church has viewed the procession of the Holy Spirit throughout its history, beginning with the Trinitarian controversies of the early Christian centuries. The first comprehensive study of the key controversy separating the Eastern and Western churches.
Der Einheitsbegriff als Kohärenzprinzip bei Maximus Confessor
In The Concept of Unity as the Principle of Coherence in Maximus Confessor Jonathan Bieler lays out the importance of the concepts of transcendent divine unity, goodness and truth for understanding the coherence of the whole of Maximus’ thought. Jonathan Bieler erläutert in Der Einheitsbegriff als Kohärenzprinzip bei Maximus Confessor die zentrale Rolle der Begriffe der göttlichen Einheit, Güte und Wahrheit für ein Verständnis der Kohärenz von Maximus’ Denken, das Gotteslehre, Anthropologie und Christologie zu einer einheitlichen Sicht versammelt.
