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Drag!
Reviews male and female impersonation from Elizabethan theater to modern movies, focusing on the performers and their characters. Considers such aspects as the British tradition, Peter Pan, American vaudeville, drag as comedy, male impersonators of female movie stars. Highly illustrated in black and
Mother Camp
For two years Ester Newton did field research in the world of drag queens—homosexual men who make a living impersonating women. Newton spent time in the noisy bars, the chaotic dressing rooms, and the cheap apartments and hotels that make up the lives of drag queens, interviewing informants whose trust she had earned and compiling a lively, first-hand ethnographic account of the culture of female impersonators. Mother Camp explores the distinctions that drag queens make among themselves as performers, the various kinds of night clubs and acts they depend on for a living, and the social organization of their work. A major part of the book deals with the symbolic geography of male and female...
The Female-Impersonators
The Female-Impersonators (1922) is an autobiography by Earl Lind. Accompanied by an introduction by Dr. Alfred W. Herzog, Lind's autobiography--intended for a clinical audience--has been recognized as a pioneering work in the history of transgender literature. Throughout his life, Lind was forced to justify and defend his existence from puritanical authorities who refused to even recognize the reality of his identity as an androgyne. In this third installment of his autobiographical trilogy, he focuses on the community of androgynes or "female-impersonators" he joined when he moved from Connecticut to New York City. "I was predestined to an unusual role in the great drama we call 'life.' I w...
The Drag Queen Anthology
The Drag Queen Anthology: The Absolutely Fabulous but Flawlessly Customary World of Female Impersonators examines the phenomenon of male-to-female gender performance and the people who live it. This provocative collection of original essays explores the possibilities, limitations, ironies, and controversies surrounding men who perform as women to an audience that knows the truth but celebrates the illusion. The book's contributors call on extensive backgrounds in sociology, anthropology, theater, literatureeven military studiesand use a variety of approaches to address common themes and genres of presentation, performance, and style in a wide range of historical settings and cultures.
The Female-Impersonators
Excerpt from The Female-Impersonators: A Sequel to the Autobiography of an Androgyne and an Account of Some of the Author's Experiences During His Six Years' Career as Instinctive Female-Impersonator in New York's Underworld The sale Of the book, while not as large as it ought to have been, Showed however that the interest of the professional man could be awakened, and he be made to realize that the androgyne is no more to be punished for his harmless sexual transgressions than a congenital physical cripple for the latter's unaesthetic physique. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a re...
The Drag Scene
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Outrageous Misfits
Lights! Camera! Outrageous! Superstar female impersonator Craig Russell and the birth of drag on the international stage. Craig Russell was an internationally admired entertainer and actor, known for his outrageous impersonations of some of Hollywood's greatest female celebrities: Mae West, Barbra Streisand, Bette Midler, Carol Channing, and Judy Garland, to name a few. Lori Russell Eadie, a shy theatre lover, was Craig's No. 1 fan and, eventually, his wife. Together they were fun, fabulous, and eschewed convention. But behind the curtains, Craig and Lori's lives were troubled by their mental health, drug addiction, sexual assault, and abuse. Through nearly one hundred interviews and extensive research, Outrageous Misfits reveals the life and legacy of one of the world's most popular female impersonators and his biggest fan.
Cross Dressing, Sex, and Gender
Not only surveys cross dressing and gender impersonation throughout history and in a variety of cultures but examines the medical, biological, psychological, and sociological findings that have been presented in modern scientific literature.
