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Uniting a team of international and interdisciplinary scholars, this volume considers the views of early twentieth-century European thinkers on the creation, dissemination and management of publicly available information. Interdisciplinary in perspective, the volume reflects the nature of the thinkers discussed, including Otto Neurath, Patrick Geddes, the English Fabians, Paul Otlet, Wilhelm Ostwald and H. G. Wells. The work also charts the interest since the latter part of the nineteenth century in finding new ways to think about and to manage the growing body of available information in order to achieve aims such as the advancement of Western civilization, the alleviation of inequalities across classes and countries, and the promotion of peaceful coexistence between nations. In doing so, the contributors provide a novel historical context for assessing widely-held assumptions about today's globalized, 'post modern' information society. This volume will interest all who are curious about the creation of a modern networked information society.
Richard Verstegan is the usual English name of a man who went through early life as Richard Rowlands, before reverting to his ancestral Dutch surname in exile. Born in Mid-Tudor London around 1550 and dying in the Baroque Antwerp of 1640, his ninety-odd years of life saw numerous religious, political and military conflicts, in some of which he was a minor player and on almost all of which he commented in his writings. After studying at Oxford without taking a degree, training as a goldsmith and illegally printing a Catholic book, he fled to France, where he worked as a propagandist for the faction of the Duke of Guise. Imprisoned in France for these activities, he fled to Rome, and eventually settled in Antwerp, where he worked for almost fifty years as, variously, a newswriter, engraver, publisher, editor, translator, polemicist, antiquarian, cloth merchant, poet and satirist. He is one of the earliest identifiable European newspaper journalists, having worked on Abraham Verhoeven's Nieuwe Tijdinghen (Antwerp, 1620-1629).
During the upheavals of the Reformation, one of the most significant of the radical Protestant movements emerged — that of the Anabaptist movement. Profiles of Anabaptist Women provides lively, well-researched profiles of the courageous women who chose to risk prosecution and martyrdom to pursue this unsanctioned religion — a religion that, unlike the established religions of the day, initially offered them opportunity and encouragement to proselytize. Derived from sixteenth-century government records and court testimonies, hymns, songs and poems, these profiles provide a panorama of life and faith experiences of women from Switzerland, Germany, Holland and Austria. These personal stories of courage, faith, commitment and resourcefulness interweave women’s lives into the greater milieu, relating them to the dominant male context and the socio-political background of the Reformation. Taken together, these sketches will give readers an appreciation for the central role played by Anabaptist women in the emergence and persistence of this radical branch of Protestantism.
This book traces a revolution in values that transformed nineteenth-century attitudes to second-hand books, bibliography and collecting.
A comprehensive documentation, based mainly on original research, of the sources of the German dictionaries and vocabularies published between 1600 and 1700. With its 1,150 entries, it also provides information on numerous multi-lingual dictionaries, covering some 30 other languages.
Basson takes a prominent place among the publishers and booksellers who served the Leiden academic institutions. Contains a full bibliography of publications (187 entries).
The Boekentoren, designed by Henry van de Velde, has housed the Ghent University library since 1942. But this unusual library is much more than just an iconic building. In this book, the historian Ruben Mantels recounts the turbulent history of the library, from the ‘liberation of the book’ to the ‘powerful thrust of Modernism’, from the French Revolution to the digital revolution and Google Books. Portraits of librarians, the reading public and the collections are all given a place, while old manuscripts, Ephemera and Gandavensia give up their secrets. Innumerable illustrations and photos bring the story of the Tower of Books to life. This work is a must-have for everyone with a place in their heart for Ghent and for literature.
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Volume 35