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One of the most popular poets of her time, Charlotte Smith revived the sonnet form in England, influencing Wordsworth and Keats. Equally popular as a novelist, she experimented with many genres, and even her children's books were highly regarded by her contemporaries. Charlotte Smith's letters enlarge our understanding of her literary achievement, for they show the private world of spirit, determination, anger, and sorrow in which she wrote. Despite her family's diligence in destroying her papers, almost 500 of Smith's letters survived in 22 libraries, archives, and private collections. The present edition makes available most of these never-before-published letters to publishers, patrons, s...
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.
Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances a...
The idea of improvement - gradual and cumulative betterment - was something new in 17th century England. It became commonplace to assert that improvements in agriculture, industry, commerce, and social welfare would bring infinite prosperity and happiness. The word improvement was itself new, and since it had no equivalent in other languages, it gave the English a distinctive culture of improvement which they took with them to Ireland, Scotland, and America. Slack explains the political, intellectual, and economic circumstances which allowed notions of improvement to take root.
F. Bottarelli's Dictionaries English, French, and Italian is an indispensable resource for anyone studying these three languages. Featuring comprehensive translations, useful illustrations, and a wealth of grammatical information, this dictionary is a must-have for language learners of all levels. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A fascinating and colourful social history of the nighttime. 'A wonderful revelation of a vanished age of darkness' SPECTATOR 'Fascinating' SUNDAY TIMES 'A splendid book ... great entertainment' Sir Patrick Moore 'A triumph of social history. Almost every page contains something to surprise the reader ... one of the most enjoyable literary experiences of the year' MAIL ON SUNDAY From blanket fairs to night kings, curfews to crime, At Day's Close is an intriguing and captivating investigation into the night. Until now, this rich and complex universe in which we spend nearly half of our lives was a world long-lost to historians. Here, Ekirch explores how the night was lived in the past, through travel accounts, memoirs, letters, folklore, poems, court records and coroner's reports. More than this, it is a passionate argument in the case for less artificial light in an increasingly bright world.