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These 65 pieces and 6 etudes are originally found in Ferdinando Carulli's Complete Method for the Guitar, op. 241. This method is the last iteration of his original guitar method (op. 27), the first modern method for guitar. Originally published as 44 Progressive Pieces and 6 Studies, the present edition (based on an edition published by Oliver Ditson Company, Boston) in fact yields the following: 56 numbered studies, 2 slur studies, 1 rondo for all positions, 4 intervalstudies, 2 studies in harmonics and the 6 (rather didactic) etudes. (Not included in the present volume are numerous short scale exercises and cadences. These can be found in more complete and thorough treatments in numerous ...
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
This unique series features a collection of the most famous pieces from the classical guitar repertoire, and includes music scores, tablature and accompanying video. Great care has been taken to verify the fingerings of both hands in the material. Innovative tablature combines left-hand finger positions with rhythmic notation, allowing the reader to tackle very complex musical repertoire and polyphony. Therefore, this system provides an opportunity for anyone to learn pieces from these great composers, regardless of reading ability.Ferdinando Carulli was a prolific and influential composer for the classical guitar. He is not as well-known as Guiliani, Carcassi, Sor or Aguado, mainly because his most famous pieces are short studies for the guitar. However, Carulli composed over 300 pieces during his life, including duets and full-fledged compositions. Nonetheless, Carulli achieved his greatest success through his simple studies, which continue to provide beginners with an excellent approach to the classical guitar.
Eight enchanting classical guitar duets by Italian guitar master Ferdinando Carulli (presented here for the first time in both standard notation and tablature). Includes: Andante (from Complete Method for Guitar, Op. 27), Largo (from Op. 34, No. 6), Theme (from Op. 48, No. 2), Andante (Op. 72, No. 24), Serenade (Op. 96, No. 1), Larghetto (from Op. 128, No. 3), The Nest and the Rose (Op. 333, No. 1), The Magic Lantern (Op. 333, No. 2).
Second Edition - Here are fifteen compositions from the Romantic Era transcribed for the Baritone Ukulele from Ferdinando Carulli. Most pieces are also playable on low G ukulele, the tenor and soprano ukulele and, of course, on the guitar.
"It was 2005, and I was sitting in a large ballroom with over a thousand other music educators in the convention center for the Music Educators National Conference in Minneapolis, Minnesota, when we were told that music education was in crisis. Student enrollment in music classes like band, choir, and orchestra were dropping at an alarming rate nation-wide. Music educators were going to lose their jobs if they could not figure out ways to attract students into their classrooms. The message was clear: we needed to start considering all types of alternatives such as guitar, music technology, Mariachi, blue grass, rock band, song writing, music theory, hand bells-any type of music class that would attract students and save jobs"--
Second Edition - Here are 24 graded compositions by Ferdinando Carulli Transcribed for the baritone ukulele or low G ukelele. Most are also playable on the tenor and soprano ukulele and, of course, they may all be played on the guitar.
A Concise History of the Classic Guitar by Graham Wade, one of the foremost international writers on the guitar, explores the history of the instrument from the 16th century to the present day. This compact assessment of five centuries of fretted instruments cover the vihuela in Spain, the history of four-course and five-course guitars, the evolution of tablature, and developments in the six-string guitar in the 19th century. the work also charts the contribution of leading composers, performers and luthiers of the 20th century, and evaluates the influence of Segovia, Llobet, Pujol, Presti, Bream, Williams, etc., among the world's famous guitarists. This book, intended for the general public and guitar students of all ages, is the first interpretative history of the classic guitar to be published in the 21st century, and will be eagerly welcomed by all lovers of the instrument.