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Passage
  • Language: en
  • Pages: 88

Passage

Gift from Rick Hite.

Performing the Transition to Democracy
  • Language: en
  • Pages: 196

Performing the Transition to Democracy

This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, au...

Granny and the Heist
  • Language: en
  • Pages: 199

Granny and the Heist

Premiered in 1981, The Granny and the Heist (La estanquera de Vallecas) interweaves tense excitement, comic banter and moments of great tenderness in its examination of an area of Madrid equally ignored by Spain's nascent democracy as it had been under the Franco dictatorship. Contains a new critical introduction and language-teaching resources.

Current Catalog
  • Language: en
  • Pages: 1174

Current Catalog

  • Type: Book
  • -
  • Published: 1982
  • -
  • Publisher: Unknown

First multi-year cumulation covers six years: 1965-70.

Spanish Theatre 1920-1995
  • Language: en
  • Pages: 132

Spanish Theatre 1920-1995

Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.

Spanish Theatre 1920 - 1995
  • Language: en
  • Pages: 128

Spanish Theatre 1920 - 1995

  • Type: Book
  • -
  • Published: 2014-04-08
  • -
  • Publisher: Routledge

Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.

The Nation
  • Language: en
  • Pages: 662

The Nation

  • Type: Book
  • -
  • Published: 1886
  • -
  • Publisher: Unknown

None

Restaging the Future
  • Language: en
  • Pages: 240

Restaging the Future

An examination of neoliberal ideology’s ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices Post-Thatcher, British cultural politics were shaped by the government’s use of the arts in service of its own social and economic agenda. Restaging the Future: Neoliberalization, Theater, and Performance in Britain interrogates how arts practices and cultural institutions were enmeshed with the particular processes of neoliberalization mobilized at the end of the twentieth century and into the twenty-first. Louise Owen traces the uneasy entanglement of performance with neoliberalism's marketization of social life. Focusing on this...

Western European Stages
  • Language: en
  • Pages: 602

Western European Stages

  • Type: Book
  • -
  • Published: 1997
  • -
  • Publisher: Unknown

None

The Creative Process of Els Joglars and Teatro de La Abadía
  • Language: en
  • Pages: 278

The Creative Process of Els Joglars and Teatro de La Abadía

The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abad a seeks to redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results for the audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product. Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.