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Derecho romano clásico
El presente manual tiene una estructura eminentemente procesalista, del procedimiento “per formulas” (clásico), sin excluir unas referencias mínimas al procedimiento de las “legis actiones” (arcaico), al procedimiento “extra ordinem” (postclásico).
The Formation and Transmission of Western Legal Culture
This volume surveys 150 law books of fundamental importance in the history of Western legal literature and culture. The entries are organized in three sections: the first dealing with the transitional period of fifteenth-century editions of medieval authorities, the second spanning the early modern period from the sixteenth to the eighteenth century, and the third focusing on the nineteenth and twentieth centuries. The contributors are scholars from all over the world. Each ‘old book’ is analyzed by a recognized specialist in the specific field of interest. Individual entries give a short biography of the author and discuss the significance of the works in the time and setting of their p...
La recepción del derecho romano en Colombia (SAEC. XVIII)
Esta primera monografía de la serie tiene como base el manuscrito número 274 BNC, de la segunda mitad del siglo XVIII.
Dead Voice
An exploration of the thirteenth-century law code known as Siete Partidas Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embrac...
La técnica de la arquitectura medieval
El presente libro engloba 15 artículos de carácter interdisciplinar, de diversos profesionales -arqueólogos, arquitectos, arquitectos técnicos, físicos, historiadores del Arte, juristas y químicos- pertenecientes a ocho Departamentos de la Universidad de Sevilla. Todos estos estudios ofrecen una panorámica general y diversa de la arquitectura medieval, estructurada en tres partes correspondientes a los medios, la ejecución y la restauración.
