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Memory and Architecture
An international study of cultural relationships with built environments.
The Mormon Colonies in Mexico
Originally published in 1938, this important document chronicles a little-known chapter in Mormon history: the polygamous members in the 1880s who sought refuge from the U.S. federal marshals in Mexico.
De Lara
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Official Gazette
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Agustin Lara
"Andrew Wood masterfully interweaves the many legends about the musician-poet Agustin Lara with solid historical facts, painstakingly documenting his rise from a hopeless romantic bordello-pianist to the world's most renowned bolero composer."--Cover, page [4].
Supersudaca
At the dawn of the new millennium, a group of Latin American young architects found themselves on a pilgrimage to one of the centers of design production of the old world. As pilgrims and migrants have done for thousands of years, they thought they were acquiring knowledge in exchange for their cultural currency. Instead, they encountered their own knowledge and used it to subvert the orders of center/periphery, North/South, knowledge/culture, generating new meanings and new concepts for the discipline and the practice of architecture. As you probably know, sudaca is a pejorative term used to label Latin American students in Europe. Supersudaca spins that insult around and celebrates their w...
Marginal Urbanisms
This volume reflects on urban development strategies that have been implemented recently in Latin America. Over the past twenty years, there has been great improvement in governmental efficiency, with local and national governments executing important projects that increase the quality of life in cities. However, the causes of collective disadvantage – which created the problems governments attempt to resolve – continue to affect many people throughout the continent. Thus, the essays here examine a wide range of socioeconomic, political, ethnic and historical issues that have influenced the emergence of marginal urbanisms in Latin American cities. The argument most strongly presented in this book is that infrastructural insertions need to be considered as the baseline for urban development, not as its main goal. Urban infrastructure cannot be taken as the only target for urban development programmes, but rather as an instrument for achieving more significant, and inclusive, urban transformations that respond more adequately to the realities of the people who inhabit Latin American cities.
Social Fabric
Social Fabric: Art and Activism in Contemporary Brazil brings together the work of ten artists who reflect upon the long-standing histories of oppressive power structures in the territory now known as Brazil. Blurring the line between art and activism and spanning installation, painting, performance, photography, sculpture, and video, these artists contribute to local and global conversations about the state of democracy, racial injustice, and the violence inflicted by the nation-state. This first English-language, book-length study of contemporary Brazilian art in relationship to activism assembles artist-authored texts, interviews, essays, and a conceptual mapping of Brazilian history to illuminate the function of art as a platform for critical engagement with the historical, political, and cultural configurations of a particular place. By refusing to remain neutral, these artists create spaces of vibrant and vital community and self-construction to explore how healing and justice may be possible, especially in the Black, LGBTQIA+, and Indigenous communities to which many of them belong.
