You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
As a major piece of historical detective work. Stephen Gilman's "La Celestina" and the Spain of Fernando de Rojas adds a new dimension to critical studies of the fifteenth-century masterpiece. Using the text of La Celestina as well as public and private archives in Spain, Mr. Oilman builds up a vivid sense of the man behind the dialogue and establishes Fernando de Rojas indisputably as its author—a figure whom critics, while ranking his novel second only to Don Quixote, have treated as semi-anonymous or non-existent. We cannot really know what the Celestina is, says Mr. Oilman, without speculating as rigorously and as learnedly as possible both on how it came to be and on how it could come...
As a major piece of historical detective work. Stephen Gilman's "La Celestina" and the Spain of Fernando de Rojas adds a new dimension to critical studies of the fifteenth-century masterpiece. Using the text of La Celestina as well as public and private archives in Spain, Mr. Oilman builds up a vivid sense of the man behind the dialogue and establishes Fernando de Rojas indisputably as its author--a figure whom critics, while ranking his novel second only to Don Quixote, have treated as semi-anonymous or non-existent. We cannot really know what the Celestina is, says Mr. Oilman, without speculating as rigorously and as learnedly as possible both on how it came to be and on how it could come ...
The Celestina is considered by scholars to be the first European novel. Written in fifteenth-century Spain, this masterpiece is remarkable for its originality, depth, handling of dialogue, and drawing of character. The novel's focus is the character of Celestina, who dominates the scene. An old bawd brimming with salty wisdom derived from a vigorous and sinful life, she is one of the great creations in all of literature and holds a secure place beside her two compatriots, Don Quixote and Sancho Panza. This Spanish classic, a forebear of Cervantes, was originally published anonymously in 1499; later editions bear the name of Fernando de Rojas as author.
The late medieval masterpiece Celestina has long been the focus of controversy, over both its authorship and the apparent contradictions and inconsistencies within its plot. Scholars trace the publication of Celestina to 1499, when Fernando de Rojas supposedly discovered the first act and completed the remainder of the drama within a two-week period. The plot centers on the ill-fated love of Calisto and Melibea and the fascinating character of the old bawd, Celestina. Scholars disagree about how to interpret the meeting of the two lovers in the first scene, when they share an unusual conversation that is incongruous with their comportment in the remainder of the work. Ricardo Castells seeks ...
One of the most widely-read and translated Spanish works in sixteenth-century Europe was Fernando de Rojas' Celestina, a 1499 novel in dialogue about a couple that faces heartbreak and tragedy after being united by the titular brothel madam. In 'Celestina' and the Ends of Desire, E. Michael Gerli illustrates how this work straddles the medieval and the modern in its exploration of changing categories of human desire - from the European courtly love tradition to the interpretation of want as an insatiable, destructive force. Gerli's analysis draws on a wide range of Celestina scholarship but is unique in its use of modern literary and psychoanalytic theory to confront the problematic links between literature and life. Explorations of influence of desire on knowledge, action, and lived experience connect the work to seismic shifts in the culture of early modern Europe. Engaging and original, 'Celestina' and the Ends of Desire takes a fresh look at the timeless work's widespread appeal and enduring popularity.
Annotation The aim of this report is to summarize the analytical work carried out as part of the City Development Strategy (CDS) process and to put forth for further discussion an initial set of recommendations to help the city recover from its present crisis.
None
This work attempts to reach an understanding of Rodolfo Usigli's theater as a whole through the analysis of a dozen of his most representative pieces. The chapters are grouped according to type: political satire, political fantasy, social drama, psychological drama, historical themes, and the universal dimension. Illustrated.
tionsalso,apartfromsignalprocessing,withother?eldssuchasstatisticsandarti?cial neuralnetworks. As long as we can ?nd a system that emits signals propagated through a mean, andthosesignalsarereceivedbyasetofsensorsandthereisaninterestinrecovering the originalsources,we have a potential?eld ofapplication forBSS and ICA. Inside thatwiderangeofapplicationswecan?nd,forinstance:noisereductionapplications, biomedicalapplications,audiosystems,telecommunications,andmanyothers. This volume comes out just 20 years after the ?rst contributionsin ICA and BSS 1 appeared . Thereinafter,the numberof research groupsworking in ICA and BSS has been constantly growing, so that nowadays we can estimate that far more than 100 groupsareresearchinginthese?elds. Asproofoftherecognitionamongthescienti?ccommunityofICAandBSSdev- opmentstherehavebeennumerousspecialsessionsandspecialissuesinseveralwell- 1 J.Herault, B.Ans,“Circuits neuronaux à synapses modi?ables: décodage de messages c- posites para apprentissage non supervise”, C.R. de l'Académie des Sciences, vol. 299, no. III-13,pp.525–528,1984.