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THE (IL)LOGICS OF POSTMODERN HUMOR
Plantea el acercamiento teórico de las prácticas literarias humorística y postmoderna buscando una explicación al hecho recurrente de la aparición de ejemplos humorísticos en la literatura norteamericana postmoderna. La aproximación teórica se complementa con el análisis de textos literarios concretos, donde la interpretación crítica cobra nuevas dimensiones cuando se lleva a cabo desde el prisma del humor.
THE VOICE AND THE VOID
The Voice and the Void es una monografía sobre la justificación o legitimización de la referencialidad del lenguaje. Se parte de la supuesta falta de legitimidad de la representación lingüística mediante una reflexión sobre casos extremos de irrepresentabilidad--tales como los discursos humorístico, religioso, científico y filosófico--a lo largo de la historia para llegar a la crítica postmoderna y discutir dicha falta de legitimidad aplicando una lógica basada en la doble negación implícita a la legitimación de la referencialidad lingüística.
Embodied VulnerAbilities in Literature and Film
Embodied VulnerAbilities in Literature and Film includes a collection of essays exploring the ways in which recent literary and filmic representations of vulnerability depict embodied forms of vulnerability across languages, media, genres, countries, and traditions in the late 20th and early 21st centuries. The volume gathers 12 chapters penned by scholars from Japan, the USA, Canada, and Spain which look into the representation of vulnerability in human bodies and subjectivities. Not only is the array of genres covered in this volume significant— from narrative, drama, poetry, (auto)documentary, or film— in fiction and nonfiction, but also the varied cultural and linguistic coordinates of the literary and filmic texts scrutinized—from the USA, Canada, Spain, France, the Middle East, to Japan. Readers who decide to open the cover of this volume will benefit from becoming familiar with a relatively old topic— that of vulnerability— from a new perspective, so that they can consider the great potential of this critical concept anew.
Edgar Allan Poe across Disciplines, Genres and Languages
This collection of essays, which rediscovers Edgar Allan Poe’s not forgotten lore, comprises a two-headed scholarly body, drawing from communication and linguistics and literature, although it also includes many other academic offshoots which explore Poe’s labyrinthine and variegated imagination. The papers are classified according to two main domains, namely: (I) Edgar Allan Poe in Language, Literature and Translation Studies, and (II) Edgar Allan Poe in Communication and the Arts. In short, this book combines rigour and modernity and pays homage, with a fresh outlook, to Poe’s extra-ordinary originality and brilliant weirdness which prompted renowned authors like James Russell Lowell and Howard P. Lovecraft to claim, respectively, that “Mr. Poe has that indescribable something which men have agreed to call genius” and that “Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon lights in the province of the short story. Poe’s weird tales are alive in a manner that few others can ever hope to be.”
The Ethics of (In-)Attention in Contemporary Anglophone Narrative
This volume argues that contemporary narratives evince a great deal of resilience by promoting an ecology of attention based on poetic options that develop an ethics of the particularist type. The contributors draw on critical and theoretical literature hailing from various fields: including psychology and sociology, but more prominently phenomenology, political philosophy, analytical philosophy (essentially Ordinary Language Philosophy), alongside the Ethics of Care and Vulnerability. This volume is designed as an innovative contribution to the nascent field of the study of attention in literary criticism, an area that is full of potential. Its scope is wide, as it embraces a great deal of the Anglophone world, with Britain, Ireland, the USA, but also Australia and even Malta. Its chapters focus on well-established authors, like Kazuo Ishiguro (whose work is revisited here in a completely new light) or more confidential ones like Melissa Harrison or Sarah Moss.
Representing Vulnerabilities in Contemporary Literature
Representing Vulnerabilities in Contemporary Literature includes a collection of essays exploring the ways in which recent literary representations of vulnerability may problematize its visibilization from an ethical and aesthetic perspective. Recent technological and scientific developments have accentuated human vulnerability in many and different ways at a cross-national, and even cross-species level. Disability, technological, and ecological vulnerabilities are new foci of interest that add up to gender, precarity and trauma, among others, as forms of vulnerability in this volume. The literary visualization of these vulnerabilities might help raise social awareness of one’s own vulnerabilities as well as those of others so as to bring about global solidarity based on affinity and affect. However, the literary representation of forms of vulnerability might also deepen stigmatization phenomena and trivialize the spectacularization of vulnerability by blunting readers’ affective response towards those products that strive to hold their attention and interest in an information-saturated, global entertainment market.
Transhumanism and Posthumanism in Twenty-First Century Narrative
Transhumanism and Posthumanism in Twenty-First Century Narrative brings together fifteen scholars from five different countries to explore the different ways in which the posthuman has been addressed in contemporary culture and more specifically in key narratives, written in the second decade of the 21st century, by Dave Eggers, William Gibson, John Shirley, Tom McCarthy, Jeff Vandermeer, Don DeLillo, Margaret Atwood, Cixin Liu and Helen Marshall. Some of these works engage in the premises and perils of transhumanism, while others explore the qualities of the (post)human in a variety of dystopian futures marked by the planetary influence of human action. From a critical posthumanist perspective that questions anthropocentrism, human exceptionalism and the centrality of the ‘human’ subject in the era of the Anthropocene, the scholars in this collection analyse the aesthetic choices these authors make to depict the posthuman and its aftereffects.
Pynchon Notes
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The Voice and the Void
The Voice and the Void es una monografía sobre la justificación o legitimización de la referencialidad del lenguaje. Se parte de supuesta falta de legitimidad de la representación lingüística mediante una reflexión sobre casos extremos de irrepresentabilidad--tales como los discursos humorístico, religioso, científico y filosófico--a lo largo de la historia para llegar a la crítica postmoderna y discutir dicha falta de legitimidad aplicando una lógica basada en la doble negación implícita a la legitimación de la referencialidad lingüística.
