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This book discusses intellectual militancy and activism in Festus Iyayi’s literary works. It redefines the scope of the writer and intellectual undertakings in the contemporary society, and shows how this activism impacts the marginalized individuals who struggle daily to upturn social justice. The book will appeal to those interested in issues of commitment and the socio-aesthetic function of literature, human rights and ethnic issues, power dynamics and state violence.
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Story of a struggling, poverty-stricken husband and wife in 1970's Nigeria.
Includes articles, interviews, creative writing, and book reviews.
Can we understand violence not as evidence of cultural rupture but as a form of cultural expression itself? Ten prominent scholars engage this question across geographies as diverse at their theoretical positions, in cases drawn from fieldwork in Indonesia, Cambodia, Mozambique, Rwanda, Sierra Leone, South Africa, South America, Sri Lanka, Spain, and the United States. This research makes clear that within specific cultures, violent acts are expressions of cultural codes imbued with great meaning for both perpetrator and victim. "Unless the perpetrator's view is part of our own understanding," editor Neil L. Whitehead observes, "how to address the sources of violence will escape us." Covering wide-ranging regimes of violence, these essays examine various aspects of state violence, legitimate and illegitimate forms of violence, the impact of anticipatory violence on daily life, and its effects long after the events themselves have passed. In the marginal spaces of global ethnoscapes, violence becomes a form of cultural affirmation and expression in the face of a loss of "tradition" and dislocations of ethnic communities. This book is dedicated to the memory of Begoña Aretxaga.
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Francis Joseph Cassavant is eighteen. He has just returned home from the Second World War, and he has no face. He does have a gun and a mission: to murder his childhood hero. Francis lost most of his face when he fell on a grenade in France. He received the Silver Star for bravery, but was it really an act of heroism? Now, having survived, he is looking for a man he once admired and respected, a man adored by many people, a man who also received a Silver Star for bravery. A man who destroyed Francis's life. Francis lost most of his face when he fell on a grenade in France. He received the Silver Star for bravery, but was it really an act of heroism? Now, having survived, he is looking for a man he once admired and respected, a man adored by many people, a man who also received a Silver Star for bravery. A man who destroyed Francis's life. -->
Africa's strong tradition of storytelling has long been an expression of an oral narrative culture. African writers such as Amos Tutuola, Naguib Mahfouz, Wole Soyinka and J. M. Coetzee have adapted these older forms to develop and enhance the genre of the novel, in a shift from the oral mode to print. Comprehensive in scope, these new essays cover the fiction in the European languages from North Africa and Africa south of the Sahara, as well as in Arabic. They highlight the themes and styles of the African novel through an examination of the works that have either attained canonical status - an entire chapter is devoted to the work of Chinua Achebe - or can be expected to do so. Including a guide to further reading and a chronology, this is the ideal starting-point for students of African and world literatures.