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Growing up in the small town of Maden in Turkey, Fethiye etin knew her grandmother as a happy and respected Muslim housewife called Seher. Only decades later did she discover the truth. Her grandmother's name was not Seher but Heranus. She was born a Christian Armenian. Most of the men in her village had been slaughtered in 1915. A Turkish gendarme had stolen her from her mother and adopted her. etin's family history tied her directly to the terrible origins of modern Turkey and the organized denial of its Ottoman past as the shared home of many faiths and ways of life. A deeply affecting memoir, My Grandmother is also a step towards another kind of Turkey, one that is finally at peace with its past.
The Grandchildren is a collection of intimate, harrowing testimonies by grandchildren and great-grandchildren of Turkey's "forgotten Armenians"—the orphans adopted and Islamized by Muslims after the Armenian genocide. Through them we learn of the tortuous routes by which they came to terms with the painful stories of their grandparents and their own identity. The postscript offers a historical overview of the silence about Islamized Armenians in most histories of the genocide. When Fethiye cetin first published her groundbreaking memoir in Turkey, My Grandmother, she spoke of her grandmother's hidden Armenian identity. The book sparked a conversation among Turks about the fate of the Ottoman Armenians in Anatolia in 1915. This resulted in an explosion of debate on Islamized Armenians and their legacy in contemporary Muslim families. The Grandchildren (translated from Turkish) is a follow-up to My Grandmother, and is an important contribution to understanding survival during atrocity. As witnesses to a dark chapter of history, the grandchildren of these survivors cast new light on the workings of memory in coming to terms with difficult pasts.
When Fethiye Cetin was growing up in the small Turkish town of Maden, she knew her grandmother as a happy and universally respected Muslim housewife. It would be decades before her grandmother told her the truth: that she was by birth a Christian and an Armenian, that her name was not Seher but Heranush, that most of the men in her village had been slaughtered in 1915, that she, along with most of the women and children, had been sent on a death march. She had been saved (torn from her mother's arms) by the Turkish gendarme captain who went on to adopt her. But she knew she still had family in America. Could Fethiye help her find her lost relations before she died? There are an estimated two million Turks whose grandparents could tell them similar stories. But in a country that maintains the Armenian genocide never happened, such talk can be dangerous. In her heartwrenching memoir, Fethiye Cetin breaks the silence.?
Open Wounds explains how, after the First World War, the new Turkish Republic forcibly erased the memory of the atrocities, and traces of Armenians, from their historic lands -- a process to which the international community turned a blind eye.
The author combines the observational skills of a journalist, the love of a mother, and the grief of a wife in this gripping tale of what happens to a family when one member suffers from bipolar disorder. Inner guilt and torments are the center of this compelling story.
ELIF SHAFAK'S NEW YORK TIMES ISTANBUL READING LIST RUNCIMAN AWARD SHORTLIST ERIC HOFFER AWARD FINALIST & HONORABLE MENTION DUBLIN LITERARY AWARD LONGLIST WNBA GREAT GROUP READ SELECTION At the neighborhood café where pastry chef Kosmas, charming widower Fanis, and other Rum—Greek Orthodox Christian—friends meet regularly for afternoon tea, American-born Daphne arrives with her elderly aunt. Daphne unsettles hearts, provokes jealousies, and stirs up memories of the 1955 Istanbul pogrom, forcing Kosmas and Fanis to confront their painful history in order to risk new beginnings. A shrewd and humorous tale, A Recipe for Daphne invites the reader into the kitchens, loves, and secret lives of Istanbul's most ancient community.
From the Armenian communities of Venice Beach and Paris, to Turkey and Armenia, Deep Mountain is a nuanced and moving exploration of the living history and continuing denial of the Armenian genocide. Encountering writers, thinkers and activists from across the Turkish-Armenian divide, Ece Temelkuran weaves together an absorbing account of the role of national myths and memories, and how they are sustained and distorted over time, both within Turkey and Armenia, as well as among the vast Armenian diasporas of France and America. Deep Mountain is both a brilliant, personal exploration of one of the most enduring and intractable issues of our time, and an illuminating look at the part nationalism plays in the way we see ourselves and others.
With all the wit and brilliance of Chekhov, a distinctive collection of lyrical stories from Sait Faik Abasıyanık, “Turkey’s greatest short story writer” (The Guardian) Sait Faik Abasıyanık’s fiction traces the interior lives of strangers in his native Istanbul: ancient coffeehouse proprietors, priests, dream-addled fishermen, poets of the Princes’ Isles, lovers and wandering minstrels of another time. The stories in A Useless Man are shaped by Sait Faik’s political autobiography – his resistance to social convention, the relentless pace of westernization, and the ethnic cleansing of his city – as he conjures the varied textures of life in Istanbul and its surrounding islands. The calm surface of these stories might seem to signal deference to the new Republic’s restrictions on language and culture, but Abasıyanık’s prose is crafted deceptively, with dark, subversive undercurrents. “Reading these stories by Sait Faik feels like finding the secret doors inside of poems,” Rivka Galchen wrote. Beautifully translated by Maureen Freely and Alexander Dawe, A Useless Man is the most comprehensive collection of Sait Faik’s stories in English to date.
Altinay examines how the myth that the military is central to Turkey's national identity was created, perpetuated, and acts to shape politics. Tracing how the ideology of militarism is maintained and its implications for ethnic and gender relations, she considers the challenges facing Turkey as it moves from being a plural to a pluralistic society.