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Thinking with Words
Thinking with Words: A Literary Groundwork provides a unique foundational introduction to the depths and glories of literature and its study. It is a book about why literature matters, and why it always will. Readers will explore the roots of literature and art in the interplay between life and language, actions and events, and culture and texts. This is not a book about theories; it is a book about our complex engagement with language and literature, from which theories, interpretations, and insight arise. As this is a groundwork, confusions are dissolved and analytical tools for thinking are developed and honed. Readers will discover that their ways of talking about literature can powerfully contribute to their ways of talking about life. The book resituates literary studies within fundamental arguments about language, knowledge, and ethics. Thinking with Words is essential reading for anyone interested not just in literature, but in art, culture, and language.
The Narrator
The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opp...
Reading Science
Reading Science looks at the distinctive language of science and technology and the role it plays in building up scientific understandings of the world. It brings together discourse analysis and critical theory for the first time in a single volume. This edited collection examines science discourse from a number of perspectives, drawing on new rhetoric, functional linguistics and critical theory. It explores this language in research and industrial contexts as well as in educational settings and in popular science writing and science fiction. The papers also include consideration of the role of images (tables and figures) in science writing and the importance of reading science discourse as multi-modal text. The internationally renowned contributors include M. A. K. Halliday, Charles Bazerman and Jay Lemke.
The Year's Work in Medievalism, 2002
'The Year's Work in Medievalism,' volume XVII, is based upon but not restricted to the 2002 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences of Studies in Medievalism, Gwendolyn Morgan, and, for 2002, Jesse G. Swan and Richard Utz. It contains eleven essays exploring various representations of the medieval from the Renaissance through contemporary times: Hannah Johnson, The Saint in the Photograph: Sister Marie Gabriel and Another New Middle Ages Mike McKeon, The Postmodern Subject in Early Christian Catacomb Painting Anna Kowalcze, Disregarding the Text: Postmodern Medievalisms and the Readings of John Gardner's Grendel Laura Morowi...
Salinger's The Catcher in the Rye
J. D. Salinger's 1951 novel, The Catcher in the Rye, is the definitive coming-of-age novel and Holden Caulfield remains one of the most famous characters in modern literature. This jargon-free guide to the text sets The Catcher in the Rye in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, and presenting an up-to-date account of its critical reception.
Adaptation in Contemporary Culture
A comprehensive interdisciplinary collection offering a survey of adaptation of literary texts across media including animation, film, TV, fan fiction, biopics and music video.
Looking-Glass Wars: Spies on British Screens since 1960
Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on B...
The Heart of Time
"By examining how narrative strategies reinforce or contest deterministic paradigms, this work describes modern Chinese fiction’s unique contribution to ethical and literary debates over the possibility for meaningful moral action. How does Chinese fiction express the desire for freedom as well as fears of attendant responsibilities and abuses? How does it depict struggles for and against freedom? How do the texts allow for or deny the possibility of freedom and agency? By analyzing discourses of agency and fatalism and the ethical import of narrative structures, the author explores how representations of determinism and moral responsibility changed over the twentieth century. She links th...
New Essays on Invisible Man
A collection of essays on Ralph Ellison's novel, Invisible Man.
