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In this age of photography, video and installation art, there are those who decry the emphatic persistence of figurative painting. What can the painted image express that other more 'modern' media cannot? Martin Gayford's authoritative text seeks to answer this and other fundamental questions by examining the wealth of approaches currently employed by British artists painting the human figure. His comprehensive survey ranges from the elder statesmen of the genre such as Craigie Aitchison, Lucian Freud, David Hockney, Frank Auerbach and John Bellany through to rising stars like Alison Watt, Jenny Saville, Ishbel Myerscough and Tai-Shan Schierenberg. especially strong here - requires an explanation. It is simply a post mortem effect, a folkloric continuance of old technology after its primary function has gone? Do people continue to paint pictures with paint and brush rather as a few crafty eccentrics carry on with the spinning-wheel, the handloom, and the scythe?
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It attempts to show some of the connections between our most important figurative painters, working today with all the confidence and power of maturity, and those artists who advanced realist painting before the Second World War: Sickert, Bomberg, Spencer and Coldstream. Also includes works by Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, Leon Kossoff, John Lessore , Euan Uglow, and John Wonnacott.--Cf. Editor's preface.
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Provides a unique insight into the nature and true value of Victorian genre with reference to contmeporary sources throughout. Uncovers the real significance of the paintings discussed and what they meant to a contemporary public.
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