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This book puts contemporary Turkish media under the microscope. It sheds light on current trends and debates in the fields of cinema, television and new media in Turkey, and considers different aspects of communications and mass media in the country in relation to up-to-date issues, ranging from film aesthetics and televised ideologies to new tendencies in marketing and journalism in a digitalized world. While the book is a collection of original research studies obtaining their data within different methodological approaches varying from content analysis to semiotics, the collection presents a critical and holistic view. As such, it provides a valuable source for readers who are interested in the current conditions of the field of communications in Turkey.
Kriz ve kalkınmanın, tarihsel bir yaklaşımla ve ekonomi politikalarındaki değişim süreci ile birlikte ele alınması ve analiz edilmesi hem krizi anlamak, hem de ekonomik sistemin yeniden üretim mekanizmalarını kavramak için gerekli görülmektedir. Bu bağlamda kitap, yaşanan kriz, istikrar, kalkınma ve büyüme süreçlerinin dinamiklerini çözümlemeye yönelmiş ve bu dinamikler bankacılıktan sanayiye, teknoloji kullanımından esnek emek örgütlenmesine, ihracata yönelik büyüme stratejilerinden iktisadi bağımlılık ilişkilerine kadar uzanmaktadır. Sürecin, gerek akademik / kuramsal, gerekse siyasal / hegemonik / ideolojik düzeylerde değerlendirilmesi kitapta yer alan çalışmaların seçiminde öncelikle yer almıştır.
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to...
This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson "has the strongest face in the business, and he is also one of its best actors." Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.
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The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.