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Islamic Art in the 19th Century
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
The Oxford Handbook of Islamic Archaeology
Islamic archaeology is young discipline, emerging only over the course of the 1980s and 1990s. The Oxford Handbook of Islamic Archaeology is the first work of its kind to cover the archaeology of the Islamic world on a global scale, from North Africa to China and Europe to sub-Saharan Africa.
Islamic Manuscripts of Late Medieval Rum, 1270s-1370s
Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur'ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.
Calligraphy and Architecture in the Muslim World
This major reference work covers all aspects of architectural inscriptions in the Muslim world: the artists and their patrons, what inscriptions add to architectural design, what materials were used, what their purpose was and how they infuse buildings with meaning. From Spain to China, and from the Middle Ages to our own lifetime, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.
Provincial Elites in the Ottoman Empire
"Provincial elites were an important factor in the life of the Ottoman Empire in many respects: as local leadership, as political figures mediating between the central state and its provinces, as tax-farmers and entrepreneurs, as role models for their peers. There is a wide variety of people who may be regarded as belonging to the Ottoman provincial elites, because of both the extensive territory occupied by the Empire and its longevity. Eighteen contributions published in this volume discuss several aspects of Ottoman provincial elites, both Muslim and non-Muslim. Among the topics covered are the composition and characteristics of the elite, elite culture, patronage, and wealth and power bases, relations of elite figures with the state authorities and other members of the elite, and elite mobility over an extensive period of time ranging from the fifteenth to the early twentieth century."--
Muslims Beyond the Arab World
Muslims beyond the Arab World explores the vibrant tradition of writing African languages using the modified Arabic script ('Ajami) alongside the rise of the Muridiyya Sufi order in Senegal. The book demonstrates how the development of the 'Ajami literary tradition is entwined with the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, Shaykh Ahmadu Bamba Mbakke (1853-1927), his conflicts with local rulers and ...
The Archaeology of Islam
This book examines the archaeological implications of Islam as a force which can act upon all areas of life.
The Oxford Handbook of Philosophy of Perception
The Oxford Handbook of the Philosophy of Perception is a survey by leading philosophical thinkers of contemporary issues and new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the forty-five entries is written by a leading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the topics covered; together they demonstrate the vigour and innovative zeal of a young field. The book is accessible to anybody who has an intellectual interest in issues concerning perception.
Brocade of the Pen
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