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Sandpaper Tongue, Parchment Lips
In Sandpaper Tongue, Parchment Lips, Melanie Hyo-In Han asks what it means to be an outsider to both language and place while returning the reader-cum-witness to the house of poetry. In plain language Han's poems pack and unpack the tender complications of the speaker's puzzling through national belongings whether in Korea, Tanzania, or the United States. The migrating body thrives in rainy seasons, in heartbreak, in alienation, all while baring the intimacy of presence and poetic line. -Rajiv Mohabir, author of Cutlish and The Cowherd's Son This stunning and moving chapbook puts a map in your hands as you travel from Morogoro to Marrakech, from Korea to Kenya, retracing your steps back home. Melanie Hyo-In Han's mastery of imagery and form demonstrates a playfulness with memory without shying away from the heaviness that often comes along for the ride. Each poem offers an invitation to explore family and place with an elegant assuredness, a tender guide. Sandpaper Tongue, Parchment Lips not only asks, "Can I Roll, Slice, Stack Memories?" but also, "at what cost?" -Livia Meneghin, author of Honey in My Hair
A Writer's Craft
This introductory creative writing text uses a unique, multi-genre approach to provide students with a broad-based knowledge of their craft, treating them as professional writers. Beginning by discussing elements common to all genres, this book underscores the importance of learning good writing habits before committing to a genre, encouraging writers to look beyond their genre expectations and learn from other forms. The book then devotes one chapter to each of the major literary genres: fiction, poetry, drama and creative nonfiction. These style-specific sections provide depth as they compare the different genres, furnishing students with a comprehensive understanding of creative writing as a discipline and fostering creativity. The discussion concludes with a chapter on digital media and an appendix on literary citizenship and publishing. With exercises at the end of each chapter, a glossary of literary terms, and a list of resources for further study, A Writer's Craft is the ideal companion to an introductory creative writing class. It has been listed as one of the 'Best Books for Writers' by Poets and Writers magazine.
Spare Change
In her debut poetry collection, spare change, Irene Cooper speaks to the dead and the living through sideways sonnets and fragmented form. This is a book, says TC Tolbert, "...that holds at its center the multiplicities of grief ("permission to speak/to the open wound" of a dead brother, a family fractured by alcoholism, abuses of power, even the routine wonder of raising children) inside language that refuses sentimentality and is, instead, experiential. In a world where honesty is surprising (and figuratively, and sometimes literally, death-defying), here is a writer who insists on the truth, demanding that we attend to the turns, the edges, the possible slippages of individual words. It is work and it is worth it. Take heart in this daring. When I read these poems I feel I am in the presence of presence ("to believe/to loiter") - which is to say the muck of it: love." Boyer Rickel adds, "Fearless in their desire to arrive at difficult truths, these poems are bracing, generous-and beautiful. You will not forget them."
Crossing the Finish Line
Why so many of America's public university students are not graduating—and what to do about it The United States has long been a model for accessible, affordable education, as exemplified by the country's public universities. And yet less than 60 percent of the students entering American universities today are graduating. Why is this happening, and what can be done? Crossing the Finish Line provides the most detailed exploration ever of college completion at America's public universities. This groundbreaking book sheds light on such serious issues as dropout rates linked to race, gender, and socioeconomic status. Probing graduation rates at twenty-one flagship public universities and four ...
To the 4 A.m. Light
To the 4 a.m. Light explores themes of the self, relationships, empowerment, and a strong connection to the natural world. These poems convey the celebrations and challenges of daily life, honoring the present moment.
A Jigsaw Puzzle
Neil Kennedy's new book, A Jigsaw Puzzle is like no other book of poetry I have ever read. From the very beginning-Flower on the floor./Somebody has lost their bloom./I am very careful.-Kennedy pulls you in, though really, as with any jigsaw puzzle, you can enter anywhere and find yourself unable to stop being enchanted by this world that gets put together one tercet at a time. Birds of all species, one chickadee setting up its home into two birdhouses, music from next door, problematic snow, little Jesus at the gas station, hourglasses, cats and dogs, timepieces and shoelaces, software malfunctions in the forgiveness machine, hammer and teacup going home together, hesitating clouds deciding...
Catch a Glow
CATCH A GLOW, is both reverent and a reckoning. Iglesias moves through raw narratives with the strength, grace and focus of a dancer: combining moves, challenging rhythms, guiding each poem beyond routine and into the open bliss of abandon, the way truth-telling tends to feel. -Dasha Kelly, Wisconsin Poet Laureate Karl Michael Iglesias invents a new grammar in CATCH A GLOW. Finding the official language used to describe Hurricane Maria lacking, Iglesias has electrified the language in his book by stacking verbs, breaking lines in the middle of sentences, and using caesuras to alter logic. Iglesias has given us a book of poems up to the challenge of holding our grief and rage. -José Olivarez...
No Finish Line - Lessons on Life and Career
No Finish Line is Meyer Feldberg as his friends and colleagues know him. In his telling, Feldberg's story--both his successes and his failures--is a lesson plan for how to lead a worthy personal and professional life.
VirginX
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Fall Risk
"It's so seldom a book of poems can contain both love poems and acceptance of grief. Take Stacey's poems to a couch, curl under your great-grandmother's quilt, and understand love and loss are one." -Nikki Giovanni "Lawrence's first collection of poems, Fall Risk, renders, in beautiful and precise language, a testament to the human capacity for endurance and survival. At times intimate, at times cinematic, these are moving pieces marked by the poet's ability to capture us with fresh and brilliant detail, as in 'Therapy, ' where we encounter a 'large lone goldfish/orange like an/American president' or in 'Christmas in England' where 'silverware glints like dinoflagellates/in a dark lagoon.' A work of great intimacy and individuality." -Catherine Doty "The poems of Fall Risk are beautiful and brutal at once. Lawrence is able to corral presence and absence the physicality of loss in poem after poem. Unsparing in its imagery, this collection tergiversates between nuance and grit, creating a stunning music and a powerful experience a testament to what it's like to continue to live. I am glad to have discovered Lawrence's work through this book." -BJ Ward
