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That Ireland is picturesque is a well-worn cliché, but little is understood of how this perception was created, painted, and manipulated during the long 18th century. This book positions Ireland at the core of the picturesque's development and argues for a far greater degree of Irish influence on the course of European landscape theory and design. Positioned off-axis from the greater force-field, and off-shore from mainland Europe and America, where better to cultivate the oblique perspective? This book charts the creation of picturesque Ireland, while exploring in detail the role and reach of landscape painting in the planning, publishing, landscaping and design of Ireland's historic landscapes, towns, and tourist routes. Thus it is also a history of the physical shaping of Ireland as a tourist destination, one of the earliest, most calculated, and most successful in the world. Published for the Paul Mellon Centre for Studies in British Art
Making Belfield is the first book to examine the unique architecture of Ireland's largest university. This book--featuring rare and unseen illustration and photographs--challenges the often-limited conception of University College Dublin's architectural landscape. It is an exploration and celebration of the misunderstood and lesser known gems across campus, and will be published to coincides with the 50 year anniversary of the UCD Belfield campus.
Winner of the inaugural John Brinckerhoff Jackson Book Prize, given by the The Foundation for Landscape Studies A detailed and original study of 17th and 18th century landscapes in and around the Dublin Pale, of the gardens in the region, and a picture of the aesthetic, political and economic factors which persuaded their owners to create them. Unlike the landscapes of the West of Ireland, the cultivated demesnes of the great estates at Molesworth, Powerscourt, Carton and Castletown have received little attention. Finola O'Kane provides a stunning visual history of the demesnes, underpinned by a persuasive analysis of what remains of the original landscapes today. For this reason alone her s...
In 1725 an extensive military road and bridge-building programme was implemented by the British crown that would transform 18th-century Scotland. Aimed at pacifying some of her more inaccessible regions and containing the Jacobite threat, General Wade's new roads were designed to replace 'the old ways' and 'tedious passages' through the mountains. Over the next few decades, the laying out of these routes opened up the country to visitors from all backgrounds. After the 1760s, soldiers, surveyors and commercial travellers were joined by leisure tourists and artists, eager to explore Scotland's antiquities, natural history and scenic landscapes, and to describe their findings in words and images. In this book a number of acclaimed experts explore how the Scottish landscape was variously documented, evaluated, planned and imagined in words and images. As well as a fascinating insight into the experience of travellers and tourists, it also considers how they impacted on the experience of the Scottish people themselves.
Routes and roads make their way into and across the landscape, defining it as landscape and making it accessible for many kinds of uses and perceptions. Bringing together outstanding scholars from cultural history, geography, philosophy, and a host of other disciplines, this collection examines the complex entanglement between routes and landscapes. It traces the changing conceptions of the landscape from the Enlightenment to the present day, looking at how movement has been facilitated, imagined and represented and how such movement, in turn, has conditioned understandings of the landscape. A particular focus is on the modern transportation landscape as it came into being with the canal, the railway, and the automobile. These modes of transport have had a profound impact on the perception and conceptualization of the modern landscape, a relationship investigated in detail by authors such as Gernot Böhme, Sarah Bonnemaison, Tim Cresswell, Finola O'Kane, Charlotte Klonk, Peter Merriman, Christine Macy, David Nye, Vittoria Di Palma, Charles Withers, and Thomas Zeller.
This title places Dublin at the centre of a discussion about the significance of the historic urban landscape. Bringing together experts in art history, architectural history, urban studies, literature and geography, it combines detailed studies of often-neglected aspects of Dublin's past with case studies of other important world cities.
"A comprehensive survey of Ireland's place in Europe, providing a detailed narrative of a cultural relationship that began with Irish missionaries bringing Christianity and learning to the continent. How have Ireland and her people and culture been perceived and represented in Europe? Twenty-two internationally renowned experts address this question through contributions on film, music, art, architecture, media, literature and European Studies" -- publisher's website.
Ireland was England's oldest colony. Making Empire revisits the history of empire in Ireland—in a time of Brexit, 'the culture wars', and the campaigns around 'Black Lives Matter' and 'Statues must fall'—to better understand how it has formed the present, and how it might shape the future. Empire and imperial frameworks, policies, practices, and cultures have shaped the history of the world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire re-examines empire as process—and Ireland's role in it—through the lens of early modernity. It covers the two hundred years, between the mid-sixteenth century and the mid-eighteenth century, ...
Now available in paperback, this collection of essays emanates from the Annual Historic Houses of Ireland Conference held at National University of Ireland, Maynooth, which provides focus and recognition for new scholarship and other developments in the field of historic house studies. *** "Interesting reading...we have come a long way in reimagining the country house." -- Irish Arts Review *** "This book provides a long and intensely interesting argument for the preservation not only of a house itself but of its written records, its muniments. For these are the history of the place, of the estate, of the village or town, of the townland, of its farms and holdings...celebrates above all the ...