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From The Beatles' patronage of his 1968 debut album to his Grammy awards for Hourglass, James Taylor has remained a universally acclaimed songwriter of effortless eloquence and power. In this major biography, the late Timothy White explores the myths and reality behind the personal journey of legendary singer. White examines the roots of Taylor's anguish, and his recurring problems with heroin and alcohol. There is an epic family history, an exploration of the stories behind Fire And Rain, and a frank account of the artist's time spent at Apple Records and Warner Brothers. With contributions from Paul McCartney, Carly Simon, Sting, the Taylor family and many other key figures, this edition is destined to become the definitive biography of the troubled hero. There is also an epilogue concerning the memorial concerts arranged by Taylor for the late author White, as well as an extensive discography and bibliography.
From reports of haunted castles, hotels, public houses, chapels and churchyards, to heart-stopping accounts of apparitions, poltergeists and related supernatural phenomena, this collection of stories contains both well-known and hitherto unpublished tales from around the city of Aberdeen. This spine-tingling selection includes Fyvie Castle, home to the Green Lady; Aberdeen Central Library, where the ghost of a former librarian still helps customers; the Four Mile Inn, whose staff have heard ghostly footsteps; and His Majesty's Theatre, said to be haunted by a ghost named Jake, a theatre hand who was killed in a stage accident. Richly illustrated with over seventy-five photographs and ephemera, Haunted Aberdeen is sure to appeal to all those interested in finding out more about Aberdeen's haunted heritage.
This book combines two classic topics in social anthropology in a new synthesis: the study of witchcraft and sorcery and the study of rumors and gossip. First, it shows how rumor and gossip are invariably important as catalysts for accusations of witchcraft and sorcery. Second, it demonstrates the role of rumor and gossip in the genesis of social and political violence, as in the case of both peasant rebellions and witch-hunts. Examples supporting the argument are drawn from Africa, Europe, India, Papua New Guinea, Sri Lanka, and Indonesia.
When bigotry and power-mania take control, disaster always follows for subjugated persons - even when the power is wielded by the Church. Witchcraft was viewed as devil-worship. Between 1450 and 1750, one hundred thousand people were accused, subject to the most bestial tortures and usually executed. Witches examines the wildfire-spread of witch hunting across Europe and America, revealing the disturbing and brutal realities of these witch hunts and their roots in misogyny and religious persecution. It includes: • Letters and trial testimonies from those charged with witchcraft, as well as some from self-proclaimed witches • Biographic detail of key witch hunters, such as Matthew Hopkins (the so-called Witchfinder General) who was responsible for hundreds of executions • Accounts of famous witch trials, from Chelmsford to Salam Nigel Cawthorne doesn't shy away from the violent details of this persecution, exploring the events as they transpired, the contexts that triggered them and tracing it back to its source. Please note: This title contains descriptions of a violent and sexual nature and is not intended for younger readers. Discretion is advised.
This major project comprises fourteen thematically arranged volumes. The aim of the Compendium is to examine the interlocking strands of history and traditional culture that go into the making of a national identity, in an up-to-date synthesis of the current state of knowledge. By bringing together information from a variety of sources, the Compendium not only provides a digest of topics, but also points towards areas for new investigation. The Compendium concentrates upon the present and the historical period and does not generally deal with prehistory, although for certain themes, such as the development of agriculture and buildings, early evidence is taken into account. Where appropriate, reference is made to foreign parallels and to the influence on Scotland of the cultures of neighbouring peoples. Scottish influence on the world at large is also taken into account, whether in relation to urban or rural, maritime or land-based topics. Material and non-material aspects of history and tradition are considered equally, at all levels of society, indeed oftentimes focusing on the interaction between people of differing social strata
A fascinating selection of archive images accompanied by informative captions
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
First published in 1977 and now reprinted in its original form, A Source-book of Scottish Witchcraft has been the most authoritative reference book on Scottish Witchcraft for almost thirty years. It has been invaluable to the specialist scholar and of interest to the general reader. It provides, but provides much more than, a series of lists of the 'names and addresses' of long-dead witches. However, although it is widely quoted and held in high esteem, few copies were ever printed and most are owned by libraries or similar institutions. Until now, it has been difficult to obtain and even more difficult to buy. In 1938, George F. Black, a Scotsman who was in charge of New York Public Library...