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Tom Easton has served as the monthly book review columnist for Analog Science Fiction for almost three decades, having contributed during that span many hundreds of columns and over a million words of penetrating criticism on the best literature that science fiction has to offer. His reviews have been celebrated for their wit, humor, readability, knowledge, and incisiveness. His love of literature, particularly fantastic literature, is everywhere evident in his essays. Easton has ever been willing to cover small presses, obscure authors, and unusual publications, being the only major critic in the field to do so on a regular basis. He seems to delight in finding the rare gem among the backwa...
H.C. Bailey's detective Reggie Fortune was one of the most popular protagonists of the Golden Age of detective fiction. Fortune appeared in nine novels yet it was in a series of 84 short stories that were published from 1920 to 1940 where he truly shone, combining elements of several popular archetypes--the eccentric logician, the forensic investigator, the hard-boiled interrogator, the psychological profiler, the defender of justice. This critical study examines the Fortune stories in the context of other popular detective fiction of the era. Bailey's classics are distinguished by well-clued puzzles, brilliant sleuthing, vivid description and social critique, with Fortune evoking images of Don Quixote and the Arthurian Knights in his pursuit of truth and justice in an uncaring world.
This book gathers together many of the illuminating essays on science fiction and fantasy film penned by a major critic in the SF field. The pieces are roughly organized in the chronological order of when the movies and television programs being discussed first appeared, with essays providing more general overviews clustered near the beginning and end of the volume, to provide the overall aura of a historical survey. Although this book does not pretend to provide a comprehensive history of science fiction and fantasy films, it does intermingle analyses of films and TV programs with some discussions of related plays, novels, stories, and comic books, particularly in the essays on This Island Earth and 2001: A Space Odyssey and its sequels. Inciteful, entertaining, and full of intelligent and witty observations about science fiction and its sometimes curious relationship with the visual media, these essays will both delight and entertain critics, fans, and viewers alike.
Can civilization survive the untimely demise of God? “A buoyant romp . . . superlatively intelligent and entertaining” (The Baltimore Sun). Completing the World Fantasy Award–winning author’s darkly comic trilogy, The Eternal Footman brings us into a future world in which God’s skull is in orbit, competing with the moon, and a plague of “death awareness” spreads across the Western hemisphere. As the United States sinks into apocalypse, two people fight to preserve life and sanity. One is Nora Burkhart, a schoolteacher who will stop at nothing to save her only son, Kevin. The other is the genius sculptor Gerard Korty, who struggles to create a masterwork that will heal the metap...
Drawn from the Science Fiction Research Association conference held in Lawrence, Kansas, in 2008, the essays in this volume address intersections among the reading, writing, and teaching of science fiction. Part 1 studies the teaching of SF, placing analytical and pedagogical research next to each other to reveal how SF can be both an object of study as well as a teaching tool for other disciplines. Part 2 examines SF as a genre of mediation between the sciences and the humanities, using close readings and analyses of the literary-scientific nexus. Part 3 examines SF in the media, using specific television programs, graphic novels, and films as examples of how SF successfully transcends the medium of transmission. Finally, Part 4 features close readings of SF texts by women, including Joanna Russ, Ursula K. Le Guin, and Octavia E. Butler.
The date is 1968 of the Galactic Era, almost three thousand years from now. The Republic, dominated by the human race, is in the midst of an all-out war with the Teroni Federation. Almost a year has passed since the events of Starship: Mercenary. Captain Wilson Cole now commands a fleet of almost fifty ships, and he has become the single greatest military force on the Inner Frontier. With one exception. The Republic still comes and goes as it pleases, taking what it wants, conscripting men, and extorting taxes, even though the Frontier worlds receive nothing in exchange. And, of course, the government still wants Wilson Cole and the starship Theodore Roosevelt. He has no interest in confronting such an overwhelming force, and constantly steers clear of them. Then an incident occurs that changes everything, and Cole declares war on the Republic. Outnumbered and always outgunned, his fleet is no match for the Republic's millions of military vessels, even after he forges alliances with the warlords he previously hunted down. It's a hopeless cause...but that's just what Wilson Cole and the Teddy R. are best at.
Welcome to a West like you've never seen before, where electric lights shine down on the streets of Tombstone, while horseless stagecoaches carry passengers to and fro, and where death is no obstacle to The Thing That Was Once Johnny Ringo. Think you know the story of the O.K. Corral? Think again, as five-time Hugo winner Mike Resnick takes on his first steampunk western tale, and the West will never be the same.
An act of kindness or unforgivable treason? Owen Archer investigates a murder in Wales with links to a controversial offer of refuge. Wales, 1369. Owen Archer is travelling to Wales on a mission for the Duke of Lancaster, recruiting archers in anticipation of King Charles of France's invasion of England. Joining him are Brother Michaelo, Geoffrey Chaucer and his father-in-law, Sir Robert D'Arby, who is on pilgrimage to the shrine of St David. A JOURNEY DEEP IN THE FOREST ENDS WITH A TERRIBLE DISCOVERY. When the body of John de Reine, one of the Duke of Lancaster's men, is found at the gate of St David's, the bishop asks Owen to return the corpse to John's father, Sir John Lascelles. TREACHER...
The date is 1968 of the Galactic Era, almost three thousand years from now. The Republic, created by the human race but not yet dominated by it, is in the midst of an all-out war with the Teroni Federation. Captain Wilson Cole, a man with a reputation for exceeding orders but getting results, found himself the victim of a media feeding frenzy, a political scapegoat despite years of dedicated military service. Faced with a court martial, he was rescued by the loyal crew of his ship, the Theodore Roosevelt. Branded mutineers, the Teddy R. has quit the Republic, never to return. Seeking to find a new life, Wilson Cole first remade the Teddy R. as a pirate ship plying the spaceways of the lawles...
The J. Lloyd Eaton Conferences on Science Fiction and Fantasy Literature--long held at the University of California, Riverside--have been a major influence in the study of science fiction and fantasy for thirty years. The conferences have attracted leading scholars whose papers are published in Eaton volumes found in university libraries throughout the world. This collection brings together 22 of the best papers--most with new afterwords by the authors--presented in chronological order to show how science fiction and fantasy criticism has evolved since 1979.