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It's mad that ye're here with me. In Cobh. I always felt like I was born on the brink of the world. That I was near death, always. And here I am! Hereafter. This place of slower motion. But whipping energy. Back Home. A woman lies dead in her grave in the Tumbledown cemetery, Cobh, County Cork. It's a recent relocation; only two weeks before she was living in a flat near Croke Park in Dublin, beneath two East European prostitutes who she had begun to be friendly with. From her last resting place, she tells the story of her life: her happy childhood and the mother who loved Cleopatra; being struck by lightning and then missing school for a year; her night shifts in hotels washing and mending laundry; up to her ultimate and untimely demise in a north Dublin flat; all via a series of unlikely encounters and heartbreaking betrayals. Written in Pat Kinevane's signature style, Underneath is a blackly comic, rich and vivid tale of a life lived in secret, a testament to the people who live on the fringes, under the nose of everyday life. Underneath was published to coincide with the play's first production by Fishamble theatre company in December 2014.
50 600 word plays, as submitted to The Irish Times and performed by Fishamble, a Dublin theatre company.
Now we've lived together in contentment, more or less, for nigh on twenty year. Like turtle doves. - In prison, I mean, for fuck's sake, the chances of that.PJ and Christy: sworn enemies destined to share one small room for twenty years. As the two men recall the joys and torments of life outside - the childhood excursions, a deadly brawl, past loves and summer dresses - slowly they uncover the tragic events that have lead them to their cell in Montjoy. A play that explores our capacity to commit the deadliest of crimes but also our capacity for survival, reconciliation and love, ON BLUEBERRY HILL by Sebastian Barry (twice winner of the Costa Book of the Year) premiered in a Fishamble production at the Pavilion Theatre as part of the Dublin Theatre Festival and at the Centre Culturel Irlandais in Paris in October 2017.
When his friend becomes embroiled in a rape allegation, Chris Quinn offers his support. Only the rules keep changing, nothing is clear-cut, and Chris finds himself caught in a tussle between loyalty, love and doubt. Caitríona Daly's Duck Duck Goose is a viscerally charged play examining the nature of consent, trust and trial by social media. Full of moral ambiguity and psychological complexity, it was developed as part of Fishamble's A Play for Ireland initiative, and first performed by the company in the 2021 Dublin Theatre Festival.
What if Ireland was still part of the United Kingdom? What if Home Rule had passed? What if there was no War of Independence? No Civil War? No partition? What if the island had only one soccer team? The year is 2019 and it is the eve of the Referendum. British Prime Minister Ursula Lysaght is returning to her hometown of Dublin to convince voters to Remain. With the threat of chaos in the streets, and personal con ict behind the scenes, the nal debate is set to begin at BBC Dublin: Should Ireland leave the UK?
In October 1921, after more than two years of war, a delegation of untested Irish politicians arrived in London to negotiate with the British government for peace, unity and a republic. They returned home with just one of those; and that peace didn't last long, as war with Britain was replaced by war with their own. Were the Irish outclassed or outgunned? Were they deceived? Did they deceive their colleagues back in Dublin? Or did they achieve the best that could be achieved, an incremental step on the way to fuller sovereignty, in the process redefining the British Empire? The Treaty tells the story of what happened inside those negotiations, as Michael Collins and Arthur Griffith faced off against one of the most formidable negotiating teams ever assembled, headed by the 'Welsh Wizard' David Lloyd George, with Winston Churchill often at his side--back cover.
When E meets the man of her dreams, a professional cyclist, love hits her in the pubic bone like a train. For a brief period she is high on life - he's the answer to her crippling loneliness, her self-harm issues, her non-existent career. But when the cyclist cheats on her and ends the relationship E plummets into a black hole of heartbreak. She turns to her only friend - mustard.
I like you, you know that? I know we've only just met, but you're my favourite abortionist. Maz and Bricks is a passionate, angry, funny and touching play which tells the story of two young people who meet over the course of a day in Dublin. Maz is attending a 'Repeal the Eighth' demonstration, while Bricks is going to meet the mother of his young daughter. As the day unfolds, the two become unlikely friends, changing each other in ways they never thought possible. Maz and Bricks delves deep into the issue of reproductive rights in Ireland to ask what does it mean to be alive in Ireland today and what really makes it all worthwhile? Maz and Bricks was published to coincide with the premiere production and tour by Olivier Award-winning Fishamble: The New Play Company in April 2017.
'I'll tell you what I really want. I want to jump clean out of my brain.' Essie's lost her job. Her girlfriend's left. But she's alright. Except lately she feels more like a chair than a person. One of those folding chairs. Solid one minute. And then. Margaret Perry's play Collapsible is a funny, furious monologue about holding on in this collapsing world. It was premiered at the 2019 VAULT Festival, London, where it won the Origins Award for Outstanding New Work. It transferred to the Edinburgh Festival Fringe and the Dublin Fringe Festival in 2019 (winning the Fishamble New Writing Award), and the Bush Theatre, London, in 2020, in a co-production between Ellie Keel Productions and HighTide.
In her home in Dublin, Moya is preparing for the funeral mass of her husband, Enda. From England and America her children are returning for the sombre occasion. But as the ghosts of the Doyle family's past begin to materialese, the consequences are both profoundly disturbing and memorably comic... Red Roses and Petrol was premiered at the Project Arts Centre, Dublin, in May 1995. It transferred to the Tricycle Theatre, London, in July.