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Underneath
It's mad that ye're here with me. In Cobh. I always felt like I was born on the brink of the world. That I was near death, always. And here I am! Hereafter. This place of slower motion. But whipping energy. Back Home. A woman lies dead in her grave in the Tumbledown cemetery, Cobh, County Cork. It's a recent relocation; only two weeks before she was living in a flat near Croke Park in Dublin, beneath two East European prostitutes who she had begun to be friendly with. From her last resting place, she tells the story of her life: her happy childhood and the mother who loved Cleopatra; being struck by lightning and then missing school for a year; her night shifts in hotels washing and mending laundry; up to her ultimate and untimely demise in a north Dublin flat; all via a series of unlikely encounters and heartbreaking betrayals. Written in Pat Kinevane's signature style, Underneath is a blackly comic, rich and vivid tale of a life lived in secret, a testament to the people who live on the fringes, under the nose of everyday life. Underneath was published to coincide with the play's first production by Fishamble theatre company in December 2014.
Silent and Forgotten
Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Both challengingly dark and startlingly hilarious, Forgotten is 'an unequivocally beautiful piece', 'beautifully written and vivid', coveying 'the secrets, the hidden past, of the aged, and the dignity often behind their quaint seemingly innocuous bearing'.
Little Thing, Big Thing
In Nigeria, a frightened child puts an old roll of film into the hands of Dublin-bound teacher Sister Martha. In Dublin, ex-con Larry, with a wounded backside, has to get out of the city to rob a convent. Meanwhile, Scarab Oil plans to unleash its new clean fuel of the future. The film roll Martha is carrying attracts the urgent interest of some very powerful and ambitious people. A play written for two actors and filled with memorable characters, Little Thing, Big Thing is the latest production from the innovative and outstanding Irish theatre company Fishamble.
KING
No Man or Woman should have to suffer oppression Luther. It's your Birthright to be free, my Love. KING tells the story of Luther, a man from Cork named in honour of his Granny Bee Baw's hero, Dr Martin Luther King Jr.. Luther only leaves his apartment for essential journeys, and to perform as an Elvis impersonator. The play explores oppression, privilege, and resilience, as Luther struggles to live life to the full. This edition is published to coincide with the premiere production by Fishamble in February 2023. It is the fifth solo play by Pat Kinevane, following Forgotten, Silent, Underneath, and Before, which are the winners of many international awards, including the Olivier, Helen Hayes, Herald Archangel, and Scotsman Fringe Firsts.
Perspectives on Contemporary Irish Theatre
This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
Irish National Cinema
Ruth Barton argues that in order to understand the position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the Irish diaspora and engage with its cinema.
Bug
This dark comedy takes place in a seedy motel room outside Oklahoma City, where Agnes, a drug-addled cocktail waitress, is hiding from her ex-con ex-husband. Her lesbian biker friend R.C. introduces her to Peter, a handsome drifter who might be an AWOL Gulf War veteran. They soon begin a relationship that takes place almost entirely within the increasingly claustrophobic confines of her motel room. Peter begins to rant about the war in Iraq, UFOs, the Oklahoma City bombings, cult suicides, and then secret government experiment on soldiers, of which he believes he is a victim. His delusions infect Agnes and the tension mounts as mysterious strangers appear at their door, past events haunt them at every turn and they are attacked by real bugs. Tracy Letts's tale of love, paranoia, and government conspiracy is a thought-provoking psycho-thriller that mixes terror and laughter at a fever pitch.
The Palgrave Handbook of Contemporary Irish Theatre and Performance
This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Tiny Plays for Ireland
50 600 word plays, as submitted to The Irish Times and performed by Fishamble, a Dublin theatre company.
On Blueberry Hill
Now we've lived together in contentment, more or less, for nigh on twenty year. Like turtle doves. - In prison, I mean, for fuck's sake, the chances of that. PJ and Christy: sworn enemies destined to share one small room for twenty years. As the two men recall the joys and torments of life outside - the childhood excursions, a deadly brawl, past loves and summer dresses - slowly they uncover the tragic events that have lead them to their cell in Montjoy. A play that explores our capacity to commit the deadliest of crimes but also our capacity for survival, reconciliation and love, ON BLUEBERRY HILL by Sebastian Barry (twice winner of the Costa Book of the Year) premiered in a Fishamble production at the Pavilion Theatre as part of the Dublin Theatre Festival and at the Centre Culturel Irlandais in Paris in October 2017.
