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Deixis and Frames of Reference in Hellenistic Dedicatory Epigrams
The book presents an analysis of communicative structures and deictic elements in Hellenistic dedicatory epigrams. Moving from the most recent linguistic theories on pragmatics and considering together both Stein- and Buchepigramme, this study investigates the linguistic means that are employed in texts transmitted on different media (the stone and the book) to point to and describe their spatial and temporal context. The research is based on the collection of a new corpus of Hellenistic book and inscribed dedicatory epigrams, which were compared to pre-Hellenistic dedicatory epigrams in order to highlight the crucial changes that characterise the development of the epigrammatic genre in the Hellenistic era. By demonstrating that the evolution of the epigrammatic genre moved on the same track for book and stone epigrams, this work offers an important contribution to the ongoing debate on the history of the epigrammatic genre and aims to stimulate further reflection on a poetic genre, which, since its origins in the Greek world, has been successful both in ancient and modern literary traditions.
Digital and Traditional Epigraphy in Context
This volume collects the proceedings of the final conference of the European project EAGLE (Europeana network of Ancient Greek and Latin Epigraphy), held at the Sapienza University of Rome on January 28-30th 2016.
How Women Became Poets
"This book that shows how ancient poets broke the silence of literary gender norms to express their own voices, and thus illuminating long neglected discussions of gender in the ancient world. In How Women Became Poets, Emily Hauser provides a startling new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. By bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers gendered lens to issues of voice and identity in classical literature and poetry. What emerges from this is a new literary history that reframes the authors of classical literature as both enforcing and explor...
Charis Oder Riskante Reziprozität
Was führt und hält Menschen zusammen? Was konstituiert Gesellschaft? Was erzeugt soziale Kohäsion? Für Marcel Mauss und die Anthropologie in seiner Spur ist die Trias von Geben, Annehmen und Erwidern der 'Felsen', auf dem menschliche Gesellschaften ruhen. Doch welche Rolle spielen dabei ästhetische Phänomene und Kunst? In den ethnologisch beobachteten Gabenpraktiken haben ästhetische Dimensionen laut Mauss eine entscheidende Funktion, dennoch bleibt dieses Thema in Anthropologie/Ethnologie, Soziologie und Philosophie bestenfalls am Rand. Die vorliegende Studie fragt nach der intrinsischen Beziehung von Gabenpraxis und Ästhetik/Künsten. Indikatoren dafür sind die Semantiken von char...
Deixis and Frames of Reference in Hellenistic Dedicatory Epigrams
The book presents an analysis of communicative structures and deictic elements in Hellenistic dedicatory epigrams. Moving from the most recent linguistic theories on pragmatics and considering together both Stein- and Buchepigramme, this study investigates the linguistic means that are employed in texts transmitted on different media (the stone and the book) to point to and describe their spatial and temporal context. The research is based on the collection of a new corpus of Hellenistic book and inscribed dedicatory epigrams, which were compared to pre-Hellenistic dedicatory epigrams in order to highlight the crucial changes that characterise the development of the epigrammatic genre in the Hellenistic era. By demonstrating that the evolution of the epigrammatic genre moved on the same track for book and stone epigrams, this work offers an important contribution to the ongoing debate on the history of the epigrammatic genre and aims to stimulate further reflection on a poetic genre, which, since its origins in the Greek world, has been successful both in ancient and modern literary traditions.
Women and Power in Hellenistic Poetry
"It is a well-known and striking fact that Hellenistic Poetry is full of powerful and powerfully present women, ranging from Ptolemaic and other queens, to female (semi-)divinities and epic heroines. But the Hellenistic era is likewise remarkable for being relatively rich in female authors, specifically in the domain of epigrammatic poetry. This volume sets out to broach not only the question who the powerful women of Hellenistic poetry were, and what their power consisted of, but also, quite emphatically, in what ways they differ from or resemble previous literary representations of women in, for example, Homeric epic, archaic lyric and Athenian tragedy, and why."--Provided by vendor.
Images of Class
The first overview of the unique encounter between artists and the prominent Marxist current Workerism, also known as Operaismo During the 1960s and 1970s, Workerism and Autonomia were prominent Marxist currents. However, it is rarely acknowledged that these movements inspired many visual artists such as the members of Archizoom, Gordon Matta-Clark and Gianfranco Baruchello. This book focuses on the aesthetic and cultural discourse developed by three generations of militants (including Mario Tronti, Antonio Negri, Bifo and Silvia Federici), and how it was appropriated by artists, architects, graphic designers and architectural historians such as Manfredo Tafuri. Images of Classsignposts key ...
Sensors and Microsystems
This book showcases the state of the art in the field of sensors and microsystems, revealing the impressive potential of novel methodologies and technologies. It covers a broad range of aspects, including: bio-, physical and chemical sensors, actuators, micro- and nano-structured materials, mechanisms of interaction and signal transduction, polymers and biomaterials, sensor electronics and instrumentation, analytical microsystems, recognition systems and signal analysis and sensor networks as well as manufacturing technologies, environmental, food, energy and biomedical applications. The contents reflect the outcomes of the activities of AISEM (Italian Association of Sensors and Microsystems) in 2021. Co-Edited by B. Andò, F. Baldini, G. Betta, D. Compagnone, S. Conoci, E. Comini, V. Ferrari, E. La Salandra, L. Lorenzelli, A.G. Mignani, G. Marrazza, G. Neri, P. Siciliano.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
