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World War II Italian Prisoners of War in Chambersburg
During World War II, the US government interned more than 1,200 captured Italian soldiers at the Letterkenny Army Ordnance Depot located near Chambersburg, Pennsylvania. These troops collaborated with the United States in a collective effort to defeat the Axis powers. They formed the 321st Italian Quartermaster Battalion, and their work consisted mainly of stocking and shipping materials--ammunition, military vehicles, weapons, and machinery parts--to the war fronts in the European and Pacific theaters of operation. For entertainment, the soldiers formed an orchestra and band and for sport, several different company soccer teams. As a sign of their faith, they built a chapel and bell tower, which are still used today. Many POWs forged deep friendships with Americans, and after the war, a few married their sweethearts and returned to live in the United States. Today, warm relations still continue between children and grandchildren of the POWs and the wider Chambersburg community.
Controlling Sex in Captivity
Historiography -- Sources -- Editorial comments -- Encounters with the enemy -- Attraction and pity -- Hostile reactions -- Controlling heterosexual desire -- American women during the war -- Initiating contact -- The reasons for loosing the fight against fraternisation -- African Americans -- The failure of the non-fraternisation policy -- Controlling same-sex desire -- Policies on same-sex activities in the Axis and American armed forces -- Same-sex activities in POW camps in the United States -- American reactions to same-sex activities in POW camps.
Italian Prisoners of War in Pennsylvania
During World War II 51,000 Italian prisoners of war were detained in the United States. When Italy signed an armistice with the Allies in September 1943, most of these soldiers agreed to swear allegiance to the United States and to collaborate in the fight against Germany. At the Letterkenny Army Depot, located near Chambersburg, Pennsylvania, more than 1,200 Italian soldiers were detained as co-operators. They arrived in May 1944 to form the 321st Italian Quartermaster Battalion and remained until October 1945. As detainees, the soldiers helped to order, stock, repair, and ship military goods, munitions and equipment to the Pacific and European Theaters of war. Through such labor, they lent...
Portrait of the Artist and His Mother in Twentieth-Century Italian Culture
The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pie...
The Author in Criticism
The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (...
Heroism and Wisdom, Italian Style
This is an interdisciplinary work that philosophically analyzes concepts such as heroism; practical wisdom; honor; Nietzsche’s notions of will to power, the overman, and the three metamorphoses; Plato’s understanding of love; creating meaning in life; the issue of morally dirty hands in political administration; the relationship between political means and ends; the proper role of positive duties in society; the aspirations of grand strivers; and the linkages between biological, biographical, and autobiographical lives, all in the context of explaining and evaluating the lives and works of fourteen historically significant Italian: Gaius Julius Caesar, Brunetto Latini, Dante Alighieri, C...
Prisoners of War and Local Women in Europe and the United States, 1914-1956
This book brings together historians from Great Britain, the United States, Germany, France, Canada, Austria, and Latvia who have worked and published on fraternisation between Prisoners of War and local women during either the First or Second World War, providing the first comparative study of this multi-faceted phenomenon in different belligerent countries. By focusing on prisoners as wartime migrants and studying the nature and impact of their interactions with the local female population, this book expands the existing framework on prisoner of war studies. Its substantial scope and comparative approach make it an important point of reference in the growing research field of POW studies.
The Formation of a National Audience in Italy, 1750–1890
The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different ...
Transmissions of Memory
Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture discusses cultural products—films, poetry, fiction, architectural buildings, autobiographical writing, and social media—to individuate through them the dynamics of memory. The field of analysis is Italian culture from World War II to the contemporary times, and the volume has in a gendered approach one of its focuses, offering an encompassing view on cultural memory and highlighting the similarities between gendered revisitation and revisitation of the past. The volume is divided into three sections: cultural transmissions, fractured memories, and nostalgia. In the chapters herewith the study of memory through these forms hints at a sense of transformation and often enrichment or resilience, individual or collective, that values more the present and the future rather than the past.
Pasolini’s Lasting Impressions
Noted as a ‘civil poet’ by Alberto Moravia, Pier Paolo Pasolini was a creative and philosophical genius whose works challenged generations of Western Europeans and Americans to reconsider not only issues regarding the self, but also various social concerns. Pasolini’s works touched and continues to inspire students, scholars, and intellectuals alike to question the status quo. This collection of thirteen articles and two interviews evidences the on-going discourse around Pasolini’s lasting impressions on the new generation. Pasolini’s Lasting Impressions: Death, Eros and Literary Enterprise in the Opus of Pier Paolo Pasolini thus explores the civic poet’s oeuvre in four parts: po...
