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Becoming American
Traces the history of American immigration from 1607 to the 1920s and looks at how groups of immigrants have adapted to the United States.
Opera as Institution
This volume brings together ten essays focusing on the diversity of operatic institutions, their protagonists, and historical fortunes in Europe from 1730 to 1917. Its aim is not to understand operatic institutions as locally distinct and isolated organizations, but rather to perceive them as a part of a historically fluctuating, transnational network: a network that was shaped among other things by individual professionals and groups in the opera business (and beyond), as well as by specific socio-cultural and political surroundings. The volume offers new perspectives on a wide range of topics, including networks of cultural exchange, singers as agents in shaping institutional structures, and the influence of socio-cultural, diplomatic, and political factors on operatic production across international borders.
The Graves are Walking
The Irish famine that began in 1845 was one of the nineteenth century's greatest disasters. By its end, the island's population of eight million had shrunk by a third through starvation, disease and emigration. This is a brilliant, compassionate retelling of that awful story for a new generation - the first account for the general reader for many years and a triumphant example of narrative non-fiction at its best. The immediate cause of the famine was a bacterial infection of the potato crop on which too many the Irish poor depended. What turned a natural disaster into a human disaster was the determination of senior British officials to use relief policy as an instrument of nation-building in their oldest and most recalcitrant colony. Well-meaning civil servants were eager to modernise Irish agriculture and to improve the Irish moral character, which was utterly lacking in the virtues of the new age of triumphant capitalism. The result was a relief programme more concerned with fostering change than of saving lives. This is history that resonates powerfully with our own times.
Opera and Drama in Eighteenth-Century London
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.
Yearbook
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Kate Field
Although famous during her lifetime, Kate Field (1838-1896) subsequently slipped into such a state of obscurity that in 1964, when the St. LouisAmerican published a bicentennial article to honor one of the city's most distinguished daughters, the eulogy bore the title "Who Was Kate Field?" Carolyn Moss has collected correspondence ranging over more than fifty years to allow Field to answer that question herself. Field was acquainted with, among numerous others, George Eliot, Oscar Wilde, Julia Ward Howe, Mark Twain, Charles Dickens, the Brownings, and the Trollopes. Outside the world of literature, she hobnobbed with such men and women as Harriet Hosmer, Horace Greeley, Gilbert and Sullivan,...
Florence's English Cemetery, 1827-1877
This book is a reflection of the author’s research and restoration of the formerly abandoned Victorian Swiss-owned so-called English Cemetery in Florence. It presents a control group of burials, documented in marble and on paper, of foreign non-Catholics (English, Swiss, American, Russian, Scandinavian, etc.), between 1827-1877 in one Florentine piazza, giving their stories. The book documents the burials of writers, artists, abolitionists, slaves, serfs, and servants who lie alongside industrialists, noblemen and royalty, death being a democracy. Some notable burials covered in the book include Elizabeth Barrett Browning, Frances Trollope, Walter Savage Landor, Arthur Hugh Clough, Thomas ...
