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Over the last couple of decades, minor league baseball games have shown substantial attendance figures, with more than forty-one million spectators in both 2010 and 2011. With all the high-tech, live-streaming, fast-paced entertainment available to consumers, what is it about minor league baseball that still holds appeal with today’s audiences? With access to major league games broadcast on countless cable networks, what draws fans to small stadiums to watch obscure players struggle to make the big time? Sports historian David M. Sutera set out to answer these questions by visiting fourteen minor league baseball parks around the country. In Vaudeville on the Diamond, Sutera discusses the l...
While tap dancers Fred Astaire, Gene Kelly, and Eleanor Powell were major Hollywood stars, and the rhythms of Black male performers such as the Nicholas Brothers and Bill "Bojangles" Robinson were appreciated in their time, Black female tap dancers seldom achieved similar recognition. Who were these women? The author sought them out, interviewed them, and documented their stories for this book. Here are the personal stories of many Black women tap dancers who were hailed by their male counterparts, performed on the most prominent American stages, and were pioneers in the field of Black tap.
"Jack Benny became one of the most influential entertainers of the 20th century--by being the top radio comedian, when the comics ruled radio, and radio was the most powerful and pervasive mass medium in the US. In 23 years of weekly radio broadcasts, by aiming all the insults at himself, Benny created Jack, the self-deprecating "Fall Guy" character. He indelibly shaped American humor as a space to enjoy the equal opportunities of easy camaraderie with his cast mates, and equal ego deflation. Benny was the master of comic timing, knowing just when to use silence to create suspense or to have a character leap into the dialogue to puncture Jack's pretentions. Jack Benny was also a canny entrep...
Cover -- Title -- Copyright -- Dedication -- CONTENTS -- List of Illustrations -- Introduction -- ONE Modern Overflow -- DISASTER'S PUBLIC -- TWO A Northern Army of Relief -- THREE Cross Talk in the Press -- FOUR Bessie's Eclogue -- FIVE Catastrophe Comes to Vaudeville -- MODERNISM WITHIN A SECOND NATURE -- SIX William Faulkner and the Machine Age Watershed -- SEVEN Richard Wright: Environment, Media, and Race -- Conclusion: Noah's Kin -- Acknowledgments -- Notes -- Permissions Acknowledgments -- Index
Upper Saucon Township was established in 1753. Often called "the Crossroads" because of its connections to the areas around it, the tracks of the North Pennsylvania Railroad awakened the small town of Center Valley in 1856. From there, the Liberty Bell trolley line was added, making transportation of goods and people even easier within the township. Milk trolleys ran daily, and mills lined the creeks running through the predominantly agricultural township. As the connections grew, so did the needs of one of Upper Saucon Township's towns: Coopersburg. With the needs of a burgeoning town, Coopersburg petitioned to become a distinct borough in 1879. Coopersburg brought attention to the area with its industries and annual cattle sale. It was dubbed "the town of possibilities" for all it had to offer.
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