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Michael Clark
Explore the groundbreaking performances and creative collaborations of iconic Scottish dancer and choreographer Michael Clark. Hailed as "British dance's true iconoclast," Michael Clark is a defining cultural figure in the contemporary dance world. Since emerging in the early 1980s as a prodigy at London's Royal Ballet School, Clark has remained at the forefront of innovation in dance, working in close collaboration with a broad range of pioneering artists such as Sarah Lucas, Leigh Bowery, Charles Atlas, Cerith Wyn Evans, Peter Doig, Elizabeth Peyton, Wolfgang Tillmans and musicians such as Mark E. Smith, Wire, Scritti Politti, and Relaxed Muscle. As a young choreographer, Clark brought tog...
Into the Night
This thrilling book explores the role of cabarets, clubs, and cafes in modern art. These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms. Spanning the decades from the 1880s to the 1960s, this unique and multi-faceted illustrated history of alternative artistic spaces covers four continents and includes both famed and little-known sites of the avant-garde. Organized by city, it features painting, drawing, photography, sculpture, film, and archival material emanating from over a dozen cabarets, club...
Always Different, Always the Same
The Fall, led by Mark E. Smith, were one of the most intriguing, influential, and prolific post-punk groups in British popular culture. Always Different, Always the Same: Critical Essays on The Fall is a thorough and critical account of the group, engaging with the often complex and challenging creative work. In this groundbreaking text, volume editors Eoin Devereux and Martin J. Power bring together contributions from a wide variety of disciplinary homes, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies. Contributors Kieran Cashell, Brian Clancy, Matt Davies, Eoin Devereux, Samuel Flannagan, John Fleming, Gavin Friday, Mike Glennon, K. A. Laity, Ben Lawley, John McFarland, David Meagher, Michael Mary Murphy, Martin Myers, Martin J. Power, Suzanne Smith, Elaine Vaughan, Paul Wilson.
The Ostend Story
After the famous 'Battle of Nieuwpoort' in West Flanders in 1600, another feat of arms was to follow in the same area: the Siege of Ostend, which lasted from 1601 to 1604. Maurits was, yet again, to play the leading role and, despite the fact that the outcome was less of a success for the young Republic of the Seven United Netherlands than the battle of Nieuwpoort had been, the result was a Spanish conquest of a city of total devastation and, by then, wholly depopulated. Nevertheless a considerable impression had been made upon the Northern Netherlands. The most weird and wonderful machines of war had been tested, whilst a variety of new military siege techniques had been brought into play. ...
Radical Art and the Formation of the Avant-Garde
An authoritative re-definition of the social, cultural and visual history of the emergence of the "avant-garde" in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histor...
Mountains and Megastructures
This book explores the shared qualities of mountains as naturally-formed landscapes, and of megastructures as manmade landscapes, seeking to unravel how each can be understood as an open system of complex network relationships (human, natural and artificial). By looking at mountains and megastructures in an interchangeable way, the book negotiates the fixed boundaries of natural and artificial worlds, to suggest a more complex relationship between landscape and architecture. It suggests an ecological understanding of the interconnectedness of architecture and landscape, and an entangled network of relations. Urban, colonialist, fictional, rural and historical landscapes are interwoven into this fabric that also involves discontinuities, tensions and conflicts as parts of a system that is never linear, but rather fluid and organic as driven by human endeavor.
Park, Tenement, Slaughterhouse
Welche Wahrnehmungen und Vorstellungen von ihrer Stadt hatte die Oberschicht im späten 19. Jahrhundert? Antonio Carbone zeigt dies exemplarisch am Beispiel von Buenos Aires, wo sich – an einem Wendepunkt der Geschichte des modernen Argentinien und der globalen Stadtgeschichte – nach dramatischen Cholera- und Gelbfieberepidemien eine breite Diskussion um die »Krise des Urbanen« entzündete, die zu einer partiellen Umgestaltung der Stadt führte. In seiner Kultur-, Sozial-, Global- und Umweltgeschichte nimmt er besonders drei urbane Brennpunkte in den Blick: die industriellen Schlachthöfe, die von Migrant_innen bewohnten Mietshäuser und einen Park im Stadtteil Palermo.
Francis Alÿs
This immersive publication explores the artistic journey of one of today's most prominent conceptual artists, with a specific focus on his groundbreaking series, "Children's Games." Whether he's moving a sand dune in Peru or pushing an enormous ice block through the streets of Mexico City, Francis Alÿs is constantly seeking to decipher complex social, political, and cultural issues in ways that are simultaneously affecting, imaginative and provocative. Highlighting rarely seen source material, this richly illustrated book delves into the impulses behind Alÿs's influential works. Celebrating the breadth and importance of the artist's work, a series of essays by leading scholars and writer...
Friends of the Divided Mind
Friends of the Divided Mind is an exhibition that addresses the organisations that support contemporary art. The show is divided into four projects that consider potentialities for the future of exhibition histories, artist-run spaces, performative and durational practices, and financially independent art spaces, initiated by a strong desire for alternatives. This is reflected in the partitioning of inquiries, working groups and resources, in support of a shared undertaking by the thirteen curators, who are graduating students on the MA Curating Contemporary Art at the Royal College of Art, that in turn subverts traditions of consensual decision making.
