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The essays examine how the study of facial features or expressions as indicative of character or ethnicity, has evolved from the crossroad of magic, religion and primitive medicine to present-day cultural concern for wellness and beauty. In this context, the discoveries of cranio-facial neurophysiology and psychology and the practice of cosmetic and reconstructive surgery have a centuries-old relationship with physiognomy. As the study of outward appearances evolved from its classical roots and self-representations through 18th- and 19th-century adaptations in fiction and travelogues, it gradually became a scientific discipline. Along the way, physiognomy was associated with phrenology and c...
Chaos is a perennial source of fear and fascination. The original "formless void" (tohu-wa-bohu) mentioned in the book of Genesis, chaos precedes the created world: a state of anarchy before the establishment of cosmic order. But chaos has frequently also been conceived of as a force that persists in the cosmos and in society and threatens to undo them both. From the cultures of the ancient Near East and the Old Testament to early modernity, notions of the divine have included the power to check and contain as well as to unleash chaos as a sanction for the violation of social and ethical norms. Yet chaos has also been construed as a necessary supplement to order, a region of pure potentialit...
Corruption, Anti-Corruption, Vigilance, and State Building from Early to Late Modern Times challenges current historiographical approaches, proposing new interpretations to rethink the relation between corruption and the socio-political and economic transformations since early globalisation. By adopting both transnational and long-term approaches, the book explores the historical dimension of notions such as accountability, transparency, and vigilance in their immediate political, social, and legal contexts. The starting point is to view corruption not as a moral category that emerged in 1789 to delegitimise past, foreign or present state systems, but as a constantly contested concept that must also be historicised in past societies. The collection revisits chronologies and examines different local, regional, and national frames, highlighting that the path to modernity was contested and affected by a variety of unique circumstances, such as revolutions and external political powers. Building on the latest research and offering new methods of inquiry, this book is a compelling resource for academics interested in political history and the history of corruption.
Dying and death are topics of deep humane concern for many people in a variety of circumstances and contexts. However, they are not discussed to any great extent or with sufficient focus in order to gain knowledge and understanding of their major features and aspects. The present volume is an attempt to bridge the undesirable gap between what should be known and understood about dying and death and what is easily accessible. Included in the present volume are chapters arranged in three sections. First, there are chapters on aspects of dying, written by people who have professional experience and personal insights into the nature of the processes at work and the ways it should be treated. Secondly, there are chapters on assisted death (Euthanasia) that illuminate the practices involved in the professional assistance given to persons who suffer from an incurable illness and who do not want their painful life to be medically extended. Thirdly, there are chapters on mourning, examined in a variety of cultural contexts. These provide insights for different ways of maintaining the presence of the dead in the life of the living: "life in the hearts".
The relationship between literature and religion is a crucial element in the definition of every cultural system. Literary traditions developed in such close connection with religious thought, symbolism, institutions and practices, that our understanding of both literary and religious expressions of an age necessarily depends on our consideration of their interconnectedness. This is particularly true for such a controversial age as the European Renaissance: a period that witnessed the rise of national states and the great Catholic-Protestant schism; a rediscovery of classical antiquity and a new approach to the biblical text; the flourishing of literature and art and strong politico-religiou...
"Ah, alas!" The "faithful shepherd" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal "Cruda Amarilli" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary culture of the late sixteenth and early seventeenth centuries. While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantu...
Machiavelli is considered to have been an "admirer" of Dante, but his Asino is also read as satire on Dante. So what is the position of the Commedia in Machiavelli's poetry? This volume provides a nuanced answer that combines hermeneutic approaches with a computer-based analysis of the "Danticity" of Machiavelli's tercets. It also examines the opportunities and limits of the new methods developed for the analysis.
"For all that has been written about the author of the Divine Comedy, Dante Alighieri (1265-1321) remains the best guide to his own life and work. Dante's writings are therefore never far away in this authoritative and comprehensive intellectual biography, which offers a fresh account of the medieval Florentine poet's life and thought before and after his exile in 1302. Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity. Describing as it does a journey of the mind, the book confirms the nature of Dante's undertaking as an exploration of what he himself speaks of as "maturity in the flame of love." The result is an original synthesis of Dante's life and work." --Amazon.com.
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Despite the fact that Gaspara Stampa (1523?-1554) has been recognized as one of the greatest and most creative poets and musicians of the Italian Renaissance, scholarship on her work has been surprisingly scarce and uncoordinated. In recent years, critical attention towards her work has increased, but until now there have been no anthologies dedicated solely to Stampa. Rethinking Gaspara Stampa in the Canon of Renaissance Poetry aims to set a foundation for further Stampa studies by accounting for her contributions to literature, music history, gender studies, the history of ideas, philosophy, and other areas of critical thought. This volume brings together an international group of interdis...