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Mêlant couleurs, lumière, masse et illusions, Florian et Michael Quistrebert rejouent dans leurs œuvres de grands motifs de l’art moderne, en les pervertissant, à partir d’une approche singulière de la matière. Au Palais de Tokyo, ils déploient un vaste théâtre optique au sein duquel l’expérience de leurs peintures et vidéos est troublée par les brillances et les mouvements internes des objets. Paradoxales, les œuvres des frères Quistrebert évoquent l’impossibilité de la saisie du tableau. Leurs peintures ne sont jamais ce qu’elles montrent, ou plutôt ne se stabilisent jamais à l’endroit de leur sujet. Les artistes explorent la perception en la saisissant sous différents aspects, intellectuels, optiques, symboliques ou encore occultes. Livre publié à l’occasion de l’exposition personnelle de Florian & Michael Quistrebert au Palais de Tokyo, « The Light of the Light », 19.02 – 16.05 2016
In their works, mingling colours, light, mass and illusions, Florian and Michael Quistrebert play back the main motifs of modern art, while perverting them, through a particular approach to matter. At the Palais de Tokyo, they are deploying a vast optical theatre in which experience of their paintings and videos is disturbed by the glittering and internal motions of objects. The Quistrebert brothers’ ambiguous pieces evoke the impossibility of grasping a painting. Their pictures are never what they show or, rather, never stabilize themselves around their subjects. The artists explore perception by handling it in various ways, which can be intellectual, optical, symbolic or else occult. Boo...
U+29DC aka Documento Continuo is an artist book and a research into that contemporary zeitgeist that has been labeled "post internet". Originally conceived as a MA thesis, Documento Continuo is a textual and visual collage strongly relying on appropriation as the only possible way to draw your own path through the information overload. Written in Italian but mostly in "International Art English", it focuses on issues like awareness, creolization, the crisis of the European Union, dematerialization and materiality, globalization, performance, identity, FOMO, and how to be an artist in the age of "always on". Enrico Boccioletti (born 1984 in Pesaro, Italy) is an artist and performer based in Milan. His practice develops at the threshold between digital gauziness and physical materiality. He is interested in incompleteness and circularity, duplication, strata, waste, layering, shifts in context, forgery, faux-real.
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Dorian Gaudin focuses on the interplay of correspondences between the organic, psychical, and material worlds. Combining performance, sculpture and cinema, his oeuvre moves back and forth between automation and living systems. He mobilizes, dislocates, and mechanizes in an amalgamation of genres: absurdist theater, science fiction cinema, burlesque and Minimalism. In his exhibition at the Palais de Tokyo machines and social rituals, visual illusion and physical presence set in motion a mechanism which is also that of the emotions. Revealing the capacity of objects to generate narrative and elicit our emotional and intellectual involvement, his works remind us of the way fetishization of obje...
Julien Creuzet is an artist, videographer, performer and poet. He links forgotten, minority histories and imaginary representations of distant places with the social realities of the here and now. His exhibition at the Palais de Tokyo, which visit is rhythmed by a soundtrack composed specifically for it, takes the form of an immersive environment akin to a large public space suffused with the permanent state of tension that characterizes our era. It presents a multiplicity of different works and offers an array of disjointed narratives. Preferring anachronism to the linearity of established stories, Creuzet thus invokes poetry and politics to unfold a mobile imaginary that brings together di...
Political, poetic, committed, profound: Jean-Michel Alberola’s oeuvre is an artist’s reaction to reality, human feelings and the state of the world. His exhibition at the Palais de Tokyo triggers a voyage that stimulates the eye and the mind as it maps the underappreciated diversity of his work. Associating bodily and geographical fragments with ambiguous statements and injunctions, this major and utterly distinctive figure on the French art scene shapes rebuses that challenge both our way of seeing and the role of art in society. And yet, in its intermingling of artistic speculation and political questioning, and of conceptualism, abstraction and figuration, Alberola’s unique, hard-hi...
Myths, fantasies and speculations lie at the heart of Marguerite Humeau’s work. Always treading the line between research and fiction, her projects result from in-depth investigations and collaborations with specialists and scientists. At the Palais de Tokyo and Nottingham Contemporary, Humeau is offering a series of unique physical and sensory experiences. Her exhibition FOXP2 is named for the gene whose mutation enabled the arrival of articulate language at the source of our humanity. Here the artist is re-enacting the origins of life and the development of conscious life forms. Imagining a world where giant elephants dominate the planet, Humeau has artificially designed creatures endowe...