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Ms. Barbara Juliet Adams (a for-hire writer from New York City whod recently broke off a one-sided engagement with a self-centered fool who saw equal rights for women but a detriment to the weaker sex) now ventures her prideful way deep down into a still-bitter South on an elegant riverboat, the Southern Rose, hoping for inspiration for her latest historical account, Again We Are One (the rebuilding of the defeated South), and runs a smitten foul of Mr. Sterling Able, a most dangerous riverboat gambler (veteran of the Southern Stars and Bars), and noted bottom dealer is quite taken too by this brash, quick-talking, high-stepping, beautiful Yank (which fast spreading Southern gossip lends is sure to come to unwise folly) as the courting two near the Magic city, New Orleans, for there are boyhood enemies in steadfast plot of Mr. Sterling Ables Yanks smitten demise. So venture down with Ms. Barbara into the land of cotton for old times there were or are not forgotten, depending how one sees Southern and Northern right from wrong. So yall coming? People are gonna talk sure, but do mind your purse and the voodoo that threatens your soul.
"Tex Morton was an early country music star in New Zealand, Australia, and, to a lesser degree, in southern Asia. In a time when the American country-music boom was just beginning to echo around the world, Morton turned his natural talent for yodeling into full-blown country music stardom, even making his way to America for a time. Andrew K. Smith's biography explores Morton's early life, his burgeoning career, his tumultuous stardom, his final years, and his lasting place in the global phenomenon of country music"--
Each issue includes a classified section on the organization of the Dept.
The headline of the Variety extra on October 27, 1926, proclaimed "Vitaphone1 Thrills L.A.!" Vitaphone, a subsidiary of Warner Bros. formed in association with Western Electric, was one of the major producers of talkies, even though its sound-on-disc technology barely lasted four years. The Vitaphone features and shorts that have survived intact, or that have been so carefully restored, preserve much of the show business history that might otherwise have been lost with the industry's fast-paced advances in movie making. This book is a catalogue of Vitaphone features and shorts. The first section lists the features and shorts by release number. The New York productions (1926-1940) are listed ...
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Scale. References: Citations for the references used in the summary