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Transnationalism and German-Language Literature in the Twenty-First Century
This book examines how German-language authors have intervened in contemporary debates on the obligation to extend hospitality to asylum seekers, refugees, and migrants; the terrorist threat post-9/11; globalisation and neo-liberalism; the opportunities and anxieties of intensified mobility across borders; and whether transnationalism necessarily implies the end of the nation state and the dawn of a new cosmopolitanism. The book proceeds through a series of close readings of key texts of the last twenty years, with an emphasis on the most recent works. Authors include Terézia Mora, Richard Wagner, Olga Grjasnowa, Marlene Streeruwitz, Vladimir Vertlib, Navid Kermani, Felicitas Hoppe, Daniel Kehlmann, Ilija Trojanow, Christian Kracht, and Christa Wolf, representing the diversity of contemporary German-language writing. Through a careful process of juxtaposition and differentiation, the individual chapters demonstrate that writers of both minority and nonminority backgrounds address transnationalism in ways that certainly vary but which also often overlap in surprising ways.
Late Style and Its Discontents
"Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the...
BZ '18 - '45
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(W)orte
"This bilingual anthology presents contemporary prose fiction, essays, and poems by well-known writers from the multiethnic and multilingual Italian province of South Tyrol: Helene Floss, Sabine Gruber, Norbert C. Kaser, Gerhard Kofler, Kurt Lanthaler, Sepp Mall, Josef Oberhollenzer, Anita Pichler, Konrad Rabensteiner, Luis Stefan Stcher, and Joseph Zoderer. The texts can be accessed in the German original and, for the first time, in English translations. A concise history of South Tyrolean literature since the 1960s and a glossary of special regional terms complement this unique selection of texts."--BOOK JACKET.
Hans-Georg Gadamer (1900-2002) and the Impact of Hermeneutics
At a time when narrow scientific and philosophical specialization dominates our academic landscape, a thinking that unfolds in broad ways is often viewed with some suspicion. This, however, is not the case of Gadamer's philosophical hermeneutics, which is still present today in the most diverse fields of philosophy and the humanities. In addition to central themes of Gadamer's hermeneutics and their use in the interpretation of philosophical writings, the following first number of Labyrinth 2022 discusses the little-known debate between Gadamer and Blumenberg, the last dispute between Gadamer and Derrida, which has hardly been considered, and the dialogic models of interpretation in Gadamer and Davidson.
Domestic irony
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Gerhard Richter
Tour of the exhibition: the Museum of Modern Art, New York, Feb. 14-May 21, 2002 and others.
O.K Books
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