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Folklore, Literature, and Cultural Theory
First published in 1996. The need to write, particularly in pre-technological recording days, in order to preserve and to analyze, lies at the heart of folklore and yet to write means to change the medium in which much folk communication and art actually took and takes place. In Part I of the collection, the contributors address literary constructions of traditional and emergent cultures, those of Leslie Marmon Silko, Sandra Cisneros, Pat Mora, Carmen Tafolla, Julio Cortázar, Milan Kundera, Franz Kafka, Philip Roth, Thomas Hardy, and Dacia Maraini. The contributors to Part II of the collection offer readings of a variety of traditional, vernacular, and local performances.
Pueblo Indian Folk-stories
Charles F. Lummis's profound understanding of Indian and Spanish culture in the American Southwest is reflected in this collection of thirty-two myths centering around the Pueblo of Isleta on the Rio Grande. In adapting these traditional oral tales, Lummis drew on his experience of living at Isleta and his familiarity with the native language. originally published in 1894, Pueblo Indian Folk-Stories is as enchanting as ever. Seven elders seated around a campfire take turns telling about Antelope Boy. the fabled coyote, the man who married the moon, the snake-girls, the sobbing pine, the feathered barbers, the hero twins, the revengeful fawns, and other natural and supernatural entities. Beautifully wrought, these wisdom and initiation stories speak to all who have not lost their sense of wonder.
Pueblo Indian Folk-Stories (Classic Reprint)
Excerpt from Pueblo Indian Folk-Stories XVI the feathered barbers XVII the accursed lake XVIII the moqui boy and the eagle 122 XIX the north wind and the south wind XX the town OF the snake-girls XXI the drowning OF pecos. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Folklore of Spain in the American Southwest
The region of northern New Mexico and southern Colorado holds a unique place in the world of Spanish folk literature. Isolated from the rest of the Spanish-speaking world for most of its history since its first settlement in 1598, it has retained, even into our own time, much of its Hispanic folkloric heritage from the sixteenth and seventeenth centuries-ballads, songs, poems, folktales, sayings, anecdotes, proverbs, riddles, and folk drama. In this book, written in the late 1930s and never before published, Aurelio M. Espinosa, New Mexico’s pioneer folklorist, presents the first comprehensive, authoritative account of the relict folklore, bringing together the results of his collecting during the first third of this century, in the Southwest and in Spain, and his many ground-breaking scholarly studies.
Arrow to the Sun
An adaptation of the Pueblo Indian myth that explains how the spirit of the Lord of the Sun was brought to the world of men.
Pueblo Indian Folk-Stories
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pueblo Indian Folk-Stories - Scholar's Choice Edition
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Zu_i
Frank Hamilton Cushing's stay at Zu_i pueblo from 1879 to 1884 made him the first professional anthropologist actually to live with his subjects. Learning the language and winning acceptance as a member not only of the tribe but of the tribal council and the Bow Priesthood, he was the original participant observer and the only man in history to hold the double title of "1st War Chief of Zu_i, U. S. Ass't Ethnologist." A pioneer in southwestern ethnology, he combined the discipline of science with a remarkable imaginative capacity for identifying with Indian modes of thought and perception?and corresponding gifts of expression.
