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(Educational Piano Solo). 24 songs in the Chinese tradition: Crescent Moon * Darkening Sky * Girl's Lament * Hand Drum Song * Jasmine Flower Song * Mountaintop View * Sad, Rainy Day * The Sun Came up Happy * Wedding Veil * and more. Features notes on each piece, exquisite illustrations, and a map of China.
Introduction to shan'ge, the most popular type of rural Chinese folk song, and to the master performers, the 'kings' and 'queens' of this genre. A major focus of this study is monothematism: the existence of 'one-tune' folk song areas, where singers perform the bulk of their lyrics to a single tune or to two or three closely related tune forms. Monothematism is examined here in relation to tune variation, processes of remembering, and mechanisms of oral transmission.
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In 1872 George Carter Stent published five Chinese folk tunes with the melody and lyrics in an article called " Chinese Lyrics" . I think they are quite significant examples of a genre of Chinese folk song that is now less popular. With the help of Wang lingli 王玲利 we have translated the traditional Chinese into Simplified Chinese and provided fresh English translations. I have created new original piano accompaniments for each song. My aim is to try and make the melodies more accessible to western audiences and singers. The songs are published in Chinese with the pinyin above. In addition there is a complete version of the Chinese lyrics with tones and pinyin and an English translation to explain what each song is about. My dream is that one day I will go to a song recital and hear Chinese songs sung in Chinese, just as we listen to Schubert's lieder sung in German, or Faure songs sung in French, and it will seem completely normal.
for string orchestra The eight Chinese folk songs arranged here are from different regions of China and in various traditional styles.
This book brings audiences the enchanting melodies passing down from generation to generation in the Zhuang community, which are on the brink of extinction. Specifically, it sheds light on the origin, evolution and artistic features of Zhuang folk song in the first place, and then it shifts to their English translation based on meta-functional equivalence, through which the multi-aesthetics of Zhuang folk song have been represented. At length, forty classic Zhuang folk songs have been selected, and each could be sung bilingually in line with the stave. This book benefits researchers and students who are interested in music translation as well as the Zhuang ethnic music, culture and literature. It also gives readers an insight into musicology, anthropology and intercultural study.
Mountain Songs is a collection of folk songs edited by the famous writer Feng Menglong (1574-1646). By this innovative work - mainly written in the Suzhou dialect - he aimed to revitalize poetry through the power of popular songs. This collection is very significant to the understanding of the characters of the mobile society of Jiangnan and the vitality of its intellectual world. The songs deal with the lives of common people: women, often prostitutes, boatmen, peasants, hunters, fishers and paddlers. Their spirit is far from the orthodox moral intents that Zhu Xi advocated for interpreting the Shijing, and their language is often vulgar and full of crude expressions or salacious double meanings and contains allusions to sexual and erotic behaviour.
This book advances the study of Chinese folk songs through theoretical innovation in literature-based folk songs and methodological innovation in multidisciplinary cross-interaction. It describes the historical development of folk songs, makes an in-depth study of the intersection and integration of folk songs with other literature and art, as well as the relationship with merchants, folk customs and regional culture, and analyses the literature of folk songs in previous dynasties. It is not only significant for the preservation of cultural heritage, but also to the promotion of folk song research and related fields. This book is applicable to scholars and researchers who have in-depth research on Chinese folk songs.
"This book advances the study of Chinese folk songs through theoretical innovation in literature-based folk songs and methodological innovation in multidisciplinary cross-interaction. It describes the historical development of folk songs, makes an in-depth study of the intersection and integration of folk songs and other literature and art, as well as the relationship with merchants, folk customs and regional culture, and analyses the literature of folk songs in previous dynasties. It is not only significant for the preservation of cultural heritage, but also to the promotion of folk song research and related fields. This book is applicable to scholars and researchers who have in-depth research on Chinese folk songs"--