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Tamil Folk Music as Dalit Liberation Theology
Zoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of Tamil Dalit Christian villagers, seminary students, activists, and theologians who have been inspired by Appavoo's music to work for social justice. Multimedia components available online include video and audio recordings of musical performances, religious services, and community rituals.
Encyclopaedia of Indian Literature
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled ...
The Maze of Fantasy in Tamil Folktales
The book pursues an ethnographic and a theoretical purpose. The ethnographic first part examines how Tamil folktales, mostly gathered and published by Tamil authors, reflect Tamil culture. However, since the narrators want to amuse their listeners and arouse their interest they tend to exaggerate or invert the normal situation. Therefore, their tales reflect more reliably Tamil values, beliefs and interest than social behaviour. The second theoretical part stresses the importance of the actually occuring motifs and casts doubt on typology. Rather than artificially distinguishing tale types, often thought to exist independent of the narrators, it points out a network of thematic connections among Tamil folktales.
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