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An intimate view of frontier women--Anglo and Indian--and the communities they forged.
Every American has heard of the lumberjack hero Paul Bunyan and his big blue ox. For 100 years his exploits filled cartoons, magazines, short stories, and children's books, and his name advertised everything from pancake breakfasts to construction supplies. By 1950 Bunyan was a ubiquitous icon of America's strength and ingenuity. Until now, no one knew where he came from—and the extent to which this mythical hero is rooted in Wisconsin. Out of the Northwoods presents the culture of nineteenth-century lumberjacks in their own words. It includes eyewitness accounts of how the first Bunyan stories were shared on frigid winter nights, around logging camp stoves, in the Wisconsin pinery. It describes where the tales began, how they moved out of the forest and into print, and why publication changed them forever. Part bibliographic mystery and part social history, Out of the Northwoods explains for the first time why we all know and love Paul Bunyan.
Three-dimensional stereoviews were wildly popular in the mid-19th century. Yet public infatuation fueled highbrow scorn, and even when they fell from favor, critics retained their disdain. Thus a dazzling body of photographic work has unjustly been buried. This book explores how compelling images were made by carefully combining subject matter, composition, lighting, tonality, blocking and depth. It draws upon the fine arts, the mass media, humanities, history, and even geology. Throughout, overlooked photographers are celebrated, such as the one who found extraordinary visual parallels within nature, anticipating Cezanne and Seurat--or the one who refused to play favorites during a bitter war and found humanity on both sides--or the one who took a favorite American glen and found menace all about. Stereographers were actually more like film directors or television producers than large format photographers: the best ones fused artistry with commercial appeal.